Blogs & Columns
CRITIC’S NOTEBOOK: This year’s films were concerned with transition. But formally, many seemed stalled.
‘What Maisie Knew’ contemporizes the Henry James tale with bravura performances and spot-on taste.
Ann Hornaday reviews ‘Frances Ha,’ a beguiling coming-of-age comedy.
Big stars stay mostly silent in their new films premiering at the 66th annual festival.
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