Anne Midgette came to the Washington Post in 2008, when she consolidated her various cultural interests under the single title of chief classical music critic. She blogs at The Classical Beat, which she thinks you really should be reading.
Productions reflect differing goals of writers in relating the art to children.
The new opera by a musical theater composer, written with children in mind, has an adroit, polished sound.
As WNO prepares to premiere a new work by Jeanine Tesori, some thoughts on children’s opera.
In naming Deborah Rutter, a classical music administrator, the Kennedy Center may be sending a signal.