Dueling art songs: competition in Philly


Some composers get an Oscar (here, Ludovic Bource holds his for Best Original Score for “The Artist”). Others get to write operas, like whoever wins the Center City Opera Theater’s competition on Saturday night. (Photo by Kevork Djansezian/Getty Images) (Kevork Djansezian/GETTY IMAGES)

The event is happening on Saturday night in Philadelphia, where the Center City Opera Theater is holding its first-ever competition-performance “Art Songs for the 21st Century.” Fifteen composers are submitting two songs each, to be performed by members of the company’s young-artist program; the audience votes on its favorite. The prize: to take part in the company’s Creative Development Projects program, which helps shepherd operas from conception to performance. At least two artists will win, the audience favorite being one of them.

The composers run the gamut in terms of age, which is the major gamut in the composing world; let’s not get into questions of race and gender, apart from saying that four women out of 15 composers is a pretty good ratio these days. Still, it should be quite a musical spectrum, and I’m sorry I won’t be there to hear it. Crowdsourced reviews, posted here, would be most welcome.

Philadelphia is doing well at promoting new composers; the Opera Company of Philadelphia’s Composer in Residence program has just closed applications for its second round, after crowning a winner for the first year, Lembit Beecher, age 30. Beecher is having a world premiere in Washington later this month: his new piano trio was commissioned by the Southwest Chamber Players.

Anne Midgette came to the Washington Post in 2008, when she consolidated her various cultural interests under the single title of chief classical music critic. She blogs at The Classical Beat.

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