WPAS announces 2012-13 season


Latvian conductor Mariss Jansons, here conducting the Vienna Philharmonic, will bring the Concertgebouw orchestra to Washington as part of WPAS’s 2012-13 season. (AP Photo/Ronald Zak) (Ronald Zak/AP)

So Yo-Yo Ma and Joshua Bell will be here; Sir James Galway (yes, he still plays) and Anne-Sofie Mutter. Piano fans will be thrilled to hear that Evgeny Kissin, Andras Schiff, and Richard Goode are on the program, as well as Simone Dinnerstein (playing Bach’s Goldberg Variations, the piece that launched her career) and Daniil Trifonov, the winner of the Tchaikovsky competition in 2011, who has seriously impressed Washington-area audiences at two appearances this season.

But even the names of WPAS’s subscription series ring with too many superlatives: “Celebrity Series,” “Stars Series,” “Virtuoso Series.” (Guess which of these features the so-called emerging artists.) And as every year, one misses truly adventurous programming. Michael Tilson Thomas and the San Francisco Symphony just dazzled Carnegie Hall with a provocative festival of 20th- and 21st-century American work, including a John Cage piece that had Tilson Thomas on stage with Jessye Norman, making a smoothie in a blender. Maybe that wouldn’t play Washington. But couldn’t we have something a bit more spicy, from the orchestra renowned for its “American Mavericks” series, than another Mahler 9th?

Above: Michael Tilson Thomas and the San Francisco Symphony are known for their “American Mavericks” festival. In Washington, they’ll offer another, less controversial calling card: Gustav Mahler.


The cellist Amit Peled, an “emerging” artist with WPAS, is a familiar face in Washington. (Photo by J Henry Fair) (Courtesy of Arts Management Group) (J Henry Fair/J HENRY FAIR ©2008)

The “non-emerging” category includes the pianists Angela Hewitt and Rafal Blechacz, the violinist Nadja Salerno-Sonnenberg and her New Century Chamber Orchestra, the baritone Dmitri Hvorostovsky, and the violinist Hilary Hahn, who will appear twice: once on her own recital, premiering some of the 27 “Encores” she has commissioned from a range of composers (something Midori has also done), and once with the Philadelphia Orchestra in its first DC appearance under Yannick Nezet-Seguin, who will become that orchestra’s music director in September.

WPAS also persists in using the Sixth and I Historic Synagogue as its “beyond classical” venue, as if poor acoustics and uncomfortable seating automatically added up to a recipe for hip and funky. But at least the offerings there, this year, really are “beyond classical,” from the Afro-Cuban jazz pianist Chucho Valdez to the alternative string quartet Brooklyn Rider to the vocalist Ute Lemper in a program of songs by Weill, Piaf, and other signature specialties.

Other staples – that is, highlights – include Wynton Marsalis and the Kodo Drummers. Notable non-classical performers include the singers Hugh Masekela, Suzanne Vega, and Gretchen Parlato.

For complete listings for the 2012-13 season, see the WPAS website.

 
Anne Midgette came to the Washington Post in 2008, when she consolidated her various cultural interests under the single title of chief classical music critic. She blogs at The Classical Beat.

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