The ancient Church of Saints Sergius and Bacchus--Abu Serga for short--was built and rebuilt inside the Roman Fortress of Old Cairo in Egypt. Along an inside wall is a series of sixteen icons detailing the life of Jesus. All of those scenes are quite recognizable for Western Christian eyes-with two exceptions.
Since the scenes follow in chronological sequence from Annunciation to Pentecost, it is surprising to find an icon of the flight into Egypt outside the series at the end. But the crypt of this church contains a tiny pilgrimage chapel where tradition holds that Mary, Joseph, and the infant Jesus rested on their journey into Egypt. Hence that special emphasis on the flight icon. But there is one other image within the series that is not at all recognizable in Western Christian tradition.
This striking icon is in between the deposition from the cross of Jesus’ body and Doubting Thomas touching Jesus’ side. In that former scene the body of Jesus is being lowered from the cross into the arms of Mary and the mourning women. In the latter, Thomas, surrounded by the other disciples, reaches to touch the wounded right side of Jesus. In Western tradition we would expect--between those two sequential scenes--an image of the Resurrection.
We also know how that should appear. Think, for example, of those magnificent, well-muscled, semi-nudes by Titian in 1522 or Rubens in 1612. Jesus appears from the tomb, towers over his soldier-guards, but he appears utterly and splendidly alone.
The icon in Abu Serga Church, however, is very, very different. Jesus is in the center of the image, haloed, fully clothed, and carrying a typical patriarchal cross in his left hand. He is moving swiftly to the viewer’s left and that motion billows his cloak to the right. He bends down gently and delicately, grasps the right hand of Adam with his own right hand, and pulls him out of his sepulcher. Beside Adam is a much younger Eve also reaching out to Jesus, and behind her is Abel. On the right side of the icon-balancing that triad on the left-is first, David, crowned and bearded, then Solomon, crowned but unbearded, and behind them, John the Baptist.
If Western Christians were asked to imagine six persons who would rise with Jesus, I doubt if any of those--except maybe John--would be on our list. But precisely those six and no others--two ancestors, two rulers, and two martyrs--are what you would find from one end to the other across all of Eastern Christianity. As the imagery grew, Adam and Eve came first, then David and Solomon were added, next came John the Baptist, and finally Abel.
That image-in all its varieties, stages, and options-is the Resurrection of Jesus (Anastasis in Greek) as far as Eastern Christianity is concerned. Resurrection is never about Jesus alone but always about Jesus with--at least--Adam and Eve. But if those two rise with Jesus, who does not? Do they not represent the whole human race? From Russia to Egypt, from the Tiber to the Tigris, from Greeks to Serbs to Syriacs, that is the iconic image of Eastern Christianity’s Resurrection.
In Western Christianity we know that image, of course, but we call it the Harrowing of Hell-harrowing is an old English word for robbing--or maybe even the Descent into Limbo. By whatever term, it is safely separated from the Resurrection itself, as in the Apostles’ Creed: “He descended into Hell. On the third day he rose from the dead.” It is, as it were, just something to keep Jesus from being bored on Holy Saturday but certainly not our Easter Sunday.
The East has retained a vision of the Resurrection that is in far, far greater continuity with pre-Christian Jewish understanding of the general resurrection. Even when Christian Jews held that the general resurrection had started with Jesus, it had to include those who had died before him (1 Corinthians 15:20; Matthew 27:52). Since the Resurrection was about God’s justice, it could not apply only to Jesus. He was not the first-nor the last--devout Jew to die on a Roman cross, to die as a martyr, to die for justice or from injustice.
Finally, faced with that Eastern vision of a communal resurrection as God’s great peace- and-reconciliation encounter with the human race, how utterly inept is our Western debate over a single empty tomb at Easter. If we do not accept metaphor, parable, and poetry, in Eastern Christianity’s vision of the resurrection, how many empty tombs must we imagine. If Adam and Eve, who not?
John Dominic Crossan is a scholar of Christianity and author, most recently, of “The Power of Parable: How Fiction by Jesus Became Fiction about Jesus.”