Sarah Silverman is no accident. Adam Sandler didn’t just happen. Woody Allen is no statistical anomaly. Five thousand seven hundred and seventy four years after creation, the Chosen People have expressed a choice: And they’ve chosen to be funny.
At least that’s what American Jews have told a Pew survey released Tuesday morning. According to the Heebish citizens of the Land of the Free, Moses parted the Red Sea to lead the Israelites from bondage to the promised land not so that they could eat bagels (food=14 percent) or pray (Jewish religious law=19 percent) but so they could have a good chuckle (having a good sense of humor=42 percent).
As a British Jew, I have to stand back and admire my American co-religionists, or perhaps in this post-religious age I should call them co-ethnics or just co-medians. They’ve dispensed with the green vegetables of wandering tradition and headed straight for 40 days and nights in the dessert: No more weeping with Job, they’re laughing at Balaam as he falls on his ass.
Of course, thinking you have a good sense of humor is no good unless others agree. Back home we were happy about a survey in which 45 percent of Brits thought that Britishness included having a great sense of humor, until we heard that another survey had found that 46 percent of foreigners visiting the country thought that British humor was terrible.
But even a cursory glance at American comedy over the years shows that the 2 percent of the population that identifies as Jew-ish has, if not punched above its weight, tickled beyond its size.
Massive popular acclaim has been showered on Larry David, Gilda Radner, Mel Brooks, the Marx Brothers, the Three Stooges, Sid Caesar, Henry Kissinger, Lenny Bruce and Jon Stewart to name but a few. Six millennia of avoiding getting beaten up on the playground have really sharpened our acts.
And don’t let anybody tell you that Kissinger isn’t funny — not stepping out of character and keeping up the Dr Strangelove accent (Peter Sellers, Jewish) for 70 adult years, genius.
As American Jews have worked hard to transition the community’s standing from “funny peculiar” (2000 years of European marginalization) to “funny ha-ha” (Ben Stiller) they have used every conceivable type of performance. From wise-cracking borscht belt stand-ups to wise-cracking anti-heroes, and from wise-cracking movie stars to wise-cracking television hosts, Jewish comics have run the hilarity gamut.
And it’s not just nurture that’s shaped the Jewish experience, our foundational scriptures have played their part, tooIsaac (or “Yitzhak”), one of the three patriarchs, has a name that comes from the word for laughter – and Isaac certainly laughed last as gave his elder son’s birthright to his younger twin brother, Jacob. Our favorite prince of Egypt also learned his lesson after his abortive first trip down the mountain. Second time around, repaired tablets in hand, Moses opened with a strong half-hour on Sinai. And, later on, the biblical judges were always good for a giggle; Samson famously brought the house down in Gaza.
Historically, too, it’s become obvious that if there’s one thing that the whole world can get together and enjoy, it’s laughing at the Jews. To watch Seth Rogen act like a putz, black can chortle with white, the lion can lie down with the lamb, and the rabbi (Jackie Mason=Jewish) can lie down with the antisemite. It’s hardly surprising that, with this kind of universal appeal, almost half the Jews of this free country have decided that humor is a constitutive element of their identity.
For millennia, Jews knew who they were because they would stand out ethnically, linguistically or religiously or because marauding Cossacks or fedayeen would cut them down yelling racial slurs. But now in multi-ethnic, multicultural America there’s no real way to know who you are. Whom you choose to identify with might just as well be who has the same sense of humor.
It seems as though today’s American Jews largely aspire to an identity that has the condition of “Seinfeld” (the show, not Jerry, the Web star of “Comedians in Cars Getting Coffee”). Although it almost never mentions anything Jewish except in code (babka, rye bread) it’s funny, it’s quintessentially New York Jewish, but it is also famously about nothing.
And what about the other 58 percent who didn’t think a sense of humor is important?
Meh, what do they know.
Dan Friedman is the managing editor of the Jewish Daily Forward. He was the only writer for “Da Ali G Show” with a PhD in comparative literature from Yale University.
This post has been updated.