Notable recordings from the world of pop music.
When a band follows two stellar albums with a kinda-pretty-good one, the bitter can cancel out the sweet. But it’s hard to call “Bankrupt!,” the new disc from French pop-rock outfit Phoenix, anything but sweet.
On its 2009 album, “Wolfgang Amadeus Phoenix,” the quartet produced hooks like hiccups, but here, the songcraft gets lost in a candy land of glossy, glamorous tones and textures. On “Drakkar Noir” — a song named after the smell of your junior prom — frontman Thomas Mars offers up one of the album’s most illogical pleasures, singing, “Jangle, jungle, jingle, jump before you stumble.” Babble on, mon ami.
This Canadian bass saxophonist has blown strange heat through the music of Tom Waits and Arcade Fire, but Stetson’s solo stuff sounds like its own glorious jazz malfunction. He uses circular breathing techniques to repeat phrases that register somewhere between nervous tics and melodic mantras.
Justin Vernon of Bon Iver, a steady Stetson collaborator, casts his vaporous falsetto over a hefty portion of Stetson’s new album, “New History Warfare Vol. 3: To See More Light,” but he isn’t a distinguished guest so much as a minor distraction.
This Philadelphia native has learned plenty from his jugular-popping hometown heroes (Beanie Sigel, Freeway) but belongs to a generation of a low-blood-pressure rappers seemingly immune to geography (Wiz Khalifa, A$AP Rocky).
On his new mix tape, “Mugga Man,” GrandeMarshall breezes from East Coast jazziness to West Coast haziness to Southern swampiness — all with a mellow savvy that comes from growing up on an Internet without borders.
Phoenix headlines the Sweetlife Festival at Merriweather Post Pavilion on May 11.