Editors Note: This interview was originally published on The Root.com
The line, delivered with cool rhythmic bravado, helps introduce Wright’s character to the Boardwalk Empire crime family, adding a fascinating twist to the plot. But Wright’s Narcisse, along with Michael K. Williams’ Chalky White, also adds to the long line of African American super gangsters who have graced the big and small screen in recent years. No longer just one dimensional props used in crime tales, these characters, including Frank Lucas (American Gangster), Stringer Bell (The Wire) and Bumpy Johnson (Hoodlum) are raising the bar on how black men of the underworld are portrayed.
Indeed, in the dawning of a new television era where black actors like Idris Elba can play a super hero-style leading man on shows like the BBC's psychological crime drama Luther, some of the sting of black actors being relegated to roles as pimps, hustlers and petty criminals is beginning to subside. Still, there are many who continue to struggle for meaty roles, including Wright who took a hiatus from the industry, in part to pursue other interests and in part because of his frustration with the industry.
This is not lost on Wright, who said he relished playing a complicated gangster.
“With a villain maybe you can express something about virtue in a more revealing way than playing the protagonist,” Wright told The Root on Friday. “I like to work under the idea that we did overcome and we have the freedom to tell our story warts and all.”
The Wire took the television lead by showing black actors performing criminal activities, but necessarily being criminals. When actress Felicia Pearson's character, Snoop, asks, "How my hair look, Mike?" before Michael Lee, played by Tristan Wilds blows her brains out, chills run down your spine because you realize there was no other game she's ever known or would have ever known even if she lived. But, when the character Prop Joe, played by Robert F. Chew, tells the character Marlo played by Jamie Hector, when asked why he keeps such a humble house when he has so much money: "Your great grandfather was the first colored man to own his own house in Johnson square, that means something--something you youngin's lost," his ambivalence in being in the game is made clear as well as his commitment to community and shared struggle and history. When a young drug dealer, Wallace, played by actor Michael B. Jordan, houses and feeds homeless children and sends them off to school in the morning, in the real world his soft-hearted character makes draconian drug sentencing laws seem that much more severe.
Wright’s Narcisse debuted in the second episode of the drama as Chalky’s complicated nemesis, an intellectual, a doctor of divinity and a powerbroker in Harlem’s nightclub circuit and the illegal lottery (colloquially known as the number’s game). He is ambitious and forward thinking, looking to enter into what is an emerging heroin market, while simultaneously serving as a leader in the continuation of Marcus Garvey’s United Negro Improvement Association, and lecturing the uninitiated on black history.
Narcisse is based on the Harlem racketeer Casper Holstein, who became a millionaire during Prohibition in the numbers game. As benevolent as he was cunning, he gave much of the money he earned to black colleges, became a patron to black writers, artists, and poets during the Harlem Renaissance, helped to establish a Baptist school in Liberia, and wrote regularly for the NAACP’s Crisis magazine
Wright, who is also playing the character Betee in The Hunger Games: Catching Fire, due out in November, spoke to The Root last Friday about his thoughts on Narcisse on Boardwalk Empire and how accepting the role of a black gangster helps broaden the image of African –Americans on television.
What drew you to Dr. Valentin Narcisse's character? Was it the opportunity to play a complex gangster?
JW: What was I hoping for when Terry Winter asked me to be a part of this show was that we could create a character that was not a cliche and who was complex and who was driven by intelligence and language. For a number of reasons I was thirsting for a character like that. I think there's too little of that in the propaganda of African American pop culture images. There's too little propaganda around intellect and around that type of power. And whether or not he was virtuous or villainous I wanted him at least to be intelligent. As villainous as he is, I wanted him to not be a villain that's celebrated in the mode of hip hop black gangsterism. I want him to be ultimately, and I hope he will be, be seen as someone to be reviled. He's only just beginning in the first five episodes. He only further descends into the darkness or whiteness--however you want to view it.
For the rest of the interview, go to The Root.com