Eloisa James: A Shakespearean romance novelist who truly plays many parts

I have two identities: As Mary Bly, I’m a solid member of the intellectual class, a professor of Shakespeare at Fordham University. I wear prim red glasses and tweedy coats and wield my grade book like a weapon. But I’m also Eloisa James, a romance writer whose last 19 novels hit the bestseller list. As Eloisa, I’m nicer, and I wear prettier clothes. (Think pink and, on occasion, sequins.) Having a dual identity is far more than a wardrobe issue, though, because while Mary teaches canonical literature, Eloisa writes its opposite. It should come as no surprise that my two identities sometimes come into conflict.

A case in point: Mary Bly has been invited to speak at the National Book Festival on Sunday — as Eloisa James. This is a little like a soap opera star being invited to present the Gielgud Award. The National Book Festival maps the sacred terrain of literature. My talk will be followed by that of Mario Vargas Llosa, who won the Nobel Prize in . . . literature. Which, by the way, the Swedish Academy awarded him for his “trenchant images of the individual’s resistance, revolt, and defeat.” In case you’re wondering, my novel “When Beauty Tamed the Beast” is free of trenchant images. And, for that matter, of revolt and defeat. Ditto “Desperate Duchesses.” Same for my newest, “The Ugly Duchess.”

(Avon) - “A Kiss at Midnight” by Eloisa James

(Avon) - “The Duke Is Mine” by Eloisa James

Looking for things to do?
Select one or more criteria to search
Get ideas

More on this Story

View all Items in this Story

I don’t think the word “outclassed” quite covers my feelings.

My publishers were delighted when they discovered that Vargas Llosa’s speech would follow mine; clearly, they had envisioned a sea of empty seats as Washington’s intelligentsia eschewed my genre-fiction credentials. Now that they know I’m the opening act for Mario Vargas Llosa, they’re resting easy.

But I am not. What will people eager to listen to a Nobel Prize winner make of historical romance? What if I’m booed off the hallowed National Mall for having written “trash of the lowest melodramatic order”? What if someone stands up and yells that my lusty heroines match my “intellectually vulgar . . . foolish, offensive, indecent, and exasperating” prose? (Full disclosure: I’m quoting George Bernard Shaw, if only to prove that the righteous battle against “abominably written” trash has been going strong since at least 1896.)

My father, the poet Robert Bly, won the National Book Award, so he’s been to many a literary festival. “You’ll be fine,” he told me. “Just read them a poem.” Well, I would, except I’m at my most lyrical when it comes to sex. Call me an old-fashioned patriot, but something tells me that reading a sex scene on our National Mall would be indecorous. Desperate for advice, I wrote to my dear friend Donald Hall, the former poet laureate. He wrote back, warning me of a storm of writers demanding to “share” their work. I doubt that will happen. Romance writers shove their manuscripts at editors, not other writers. And writers of literary fiction wouldn’t dream of asking me for advice. I freak them out. Presumably, I inherited some talent; I have a blue-chip Ivy League education. Why on earth aren’t I trying to write the Great American Novel?

More books content

Show Me:
Show more

Loading...

Comments

Add your comment
 
Read what others are saying About Badges