‘All About Love,’ by Lisa Appignanesi

It takes a certain sort of courage — or perhaps foolhardiness or chutzpah — to write a book about love. Hasn’t everything about it already been said? But perhaps it is part of the nature of love to appear perpetually new. Just as one feels, when falling in love, that no one has ever really loved before — no matter how many others have kissed, embraced and swooned — perhaps it is only natural to feel, when writing about love, that no one has ever really understood it the way you do. How else to explain the glut of conversation about love, the seemingly endless torrent of contemplation and comment regarding this “unruly emotion”?

If Lisa Appignanesi, who chairs the Freud Museum in London, feels any anxiety about staking a claim in this much-trod-over territory, the title of her book does not betray it. And to be fair, “All About Love” covers a lot of ground and draws on a wide range of sources. Psychologists, novelists, poets, historians, filmmakers, philosophers, social critics, interview subjects — all these and more get their say. The book is such a cascade of voices that Appignanesi’s own voice is sometimes hard to discern amid the hubbub. But her voice is clearest in the part of the book that I enjoyed most, the autobiographical opening chapter, which describes Appignanesi’s early experiences with love: seeing her mother sharing an obviously inappropriate embrace with a man who was not her father, watching movies like “Cinderella” and “Snow White” and wondering whether “it was animation that made kisses and love OK,” considering what it meant when the boys on the playground made lewd gestures.

(Norton/Norton) - ‘All About Love: Anatomy of an Unruly Emotion’ by Lisa Appignanesi. Norton. 401 pp. $28.95

What comes after this opening flourish of memoir is more uneven, though intermittently enjoyable: a baggy, somewhat sprawling compendium of thoughts, theories, ideas and facts related in some way to romance, affection or erotic desire. Despite the book’s subtitle, it is less an “anatomy” than a collage — though it tends to tighten up a bit, and feel more like a work of history, when it traces the various forms and modifications of marriage that have existed in the Western world.

Although Appignanesi does devote a few late, brief chapters to non-romantic forms — friendship, parenthood — her primary concern is clearly with passionate, romantic, erotic love. She is quite good on the obsession that such love involves, writing that “in the same way as for people suffering from paranoia, the lover’s world is charged with new meaning, magical: there are signs of our love everywhere, in the stars, in the weather, in the smile or scowl of a random passerby. Everything signals ecstasy or rejection.” This obsession includes, or perhaps is closely allied to, the desire to erase the boundaries that separate oneself from the love object, to unite with him or her in the most literal sense possible. Sexual intercourse is symbolic of this desire for union and perhaps gets us part of the way there; but the true union that is desired (however impossibly) is something more complete and more permanent:

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