“THE NIGHT SEASON,” By Chelsea Cain (Minotaur. 322 pp. $24.99)
The problem with reviewing mysteries is that one can’t talk about who-(or what)-dun-it, yet sometimes the story’s ultimate value rests on that revelation. Take Dorothy Sayers’s 1934 classic, “The Nine Tailors.” If you’ve read it, you know what I’m talking about; if you haven’t read it, do so. Now. The atmosphere of the English fen country in the novel is haunting, and the character of Lord Peter Wimsey is, as always, blandly erudite. The ending, however, in which the murderer is unmasked, is so brilliant that it boosts Sayers’s creeper into the Golden Age of Mystery Hall of Fame.
Then there’s the opposite situation. I am talking about middling crime stories that creak along agreeably enough until a killer so preposterous is revealed that readers feel ashamed for ever having lost themselves for one nanosecond in that fictional world. Unfortunately, I meandered into Chelsea Cain’s “The Night Season” and didn’t have the good sense to quit reading before the most inane murderer I’ve ever encountered in mystery fiction was exposed. If I told you who-(or what)-dun-it, you would know how ludicrous this story is. But I can’t tell you. I can only say that my 12-year-old daughter asked me why I was snorting, rolling my eyes and shaking my head as I read the end of Cain’s book. I then told her the identity of the killer. She wisely commented, “It sounds like a 12-year-old boy who’s read too much manga wrote that book.” Yup.























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