“Yossarian Slept Here” awkwardly attempts to intertwine Heller family history with that of the legendary Apthorp apartment building, erected by William Waldorf Astor on Manhattan’s Upper West Side in 1908. Heller’s parents first moved into a modest apartment there with newborn Erica in 1952, upgrading to much grander digs 10 years later, after the success of “Catch-22,” which bifurcated their life into B.C. (Before Catch) and A.C. After her parents’ divorce in 1984, Erica’s distressed mother downsized into a third Apthorp apartment. When Shirley died from lung cancer in 1995, Erica, who had moved back home to nurse her, stayed on, downsizing further still into the apartment she has occupied since 1997. The no longer majestic building was eulogized more memorably in former resident Nora Ephron’s 2006 New Yorker article, “Moving On: A Love Story.” Erica’s chapters on its troubled condominium conversion come as distractions from the Heller story.
The real focus of “Yossarian Slept Here” is neither literature nor real estate but dislocation: displacements caused by success and divorce. Caught between her parents during their rancorous split after nearly four decades of her father’s “dedicated philandering,” Erica finds comfort in recognizing how deeply tied her father remained to her mother despite his second marriage to the bubbly private nurse who tended him through his battle with Guillain-Barre syndrome. Erica writes, “Apart from writing, I believe that my father had two great and lasting loves in his life: my mother and Irving ‘Speed’ Vogel.” (Vogel was the buddy with whom Heller wrote “No Laughing Matter,” a nonfictional account of his illness).





















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