The emotional energy created by the critical illness of a child is unlike anything else in a family. The medical situation devours much of the family’s life and leaves its mark on everyone involved: parents and siblings, grandparents and friends. Passions are generated, enormous resources are called upon, any moment can suddenly turn into a life-threatening crisis. Yet the child at the heart of all this, time and time again, is a vitally appealing human being who seems to concentrate and radiate the intensity around him in a powerfully sustaining way, as if it were a form of light.
In Doron Weber’s new memoir, “Immortal Bird,” Weber’s oldest son, Damon, is the sick child. Damon had two open-heart surgeries before he was 4 years old. By the time he was 12, with a lively, magnetic personality that made him popular at school and adored by his younger siblings at home — Sam, five years younger, and Miranda, seven years younger — his health was clearly still compromised. Because Damon was smaller and weaker than his contemporaries, Weber thought of the boy’s condition as “a withholding of fruition” and waited for a growth spurt that seemed long overdue.





















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