Review of Benjamin Hale's 'Evolution of Bruno Littlemore': Aping human love

(Carrie Lyle)

Hale, who grew up in Colorado and graduated from the Iowa Writers' Workshop, demonstrates an extraordinary intellectual range, and only his wacky sense of humor can keep Bruno from coming off as a hirsute boor. "Ostentation is my style," the chimp says by way of apology. Scrambling through the whole canon of Western culture, he identifies with all the anxious outsiders - from Milton's Satan to Shakespeare's Caliban to Disney's Pinocchio - those inhuman characters who dared to thrust themselves into existence by speaking and making us question the nature of our own humanity.

Linguistics may be the most interesting and prevalent theme of this novel, but its salacious subplot will attract more attention: "I'm sorry. It's true," Bruno says. "I am a deviant and depraved pervert: I have no desire to have sex with other chimps." In the late 1980s, a conflict with her research supervisor inspires Lydia Littlemore to take Bruno home with her, and soon the two of them are sleeping together - "like Anna and Vronsky." (Didn't former congressman J.D. Hayworth warn us about such abominations?) Their love, which dare not speak its name, eventually inspires violent protests and sends Bruno running underground for much of the novel.

Looking for things to do?
Select one or more criteria to search
Get ideas

A romance between a scientist and her chimp sounds a lot creepier than it ever seems in the context of this story. Though candor sometimes encourages Bruno to "stray beyond the parameters of good taste," his interaction with Lydia is always convincingly portrayed as a loving, tender relationship. This is, of course, a squeamish subject some readers will not want to explore.

"Obviously there was a sense of some deep-seated and dangerous taboo that our relationship violated," Bruno admits, but what the novel really wants to consider, in its own bizarre, cerebral and comic way, is the essential nature of love. "When it came to sex," Bruno says, "I had to make the Buberian moral shift from I/it to I/thou." Hale is a ghostly presence in this story, crouching behind irony and slapstick and intellectual satire, but surely he's most sincere in moments like this, when he tries to awaken in us the moral imagination we claim animals don't possess. Aping Oscar Wilde, Bruno quips, "I know that I am not fit to live in human society. But then again, who is?"

Yes, the book's too long, too in love with its own mock-serious voice. "I was an irrepressible chatterbox," Bruno confesses. "Do I digress? Very well, then, I digress. I am large, I contain multitudes." There's something peevish about asking an ape who can quote Whitman to wrap things up, but certain themes get pounded on, and Bruno's episodic adventures across the United States sometimes have the feel of a first-time author embarking on the trip of a lifetime and determined to cram everything into his van. Around page 500, Bruno pleads, "There's too much to say!" But just when you want to stuff this chimp back in his cage, he comes up with some unforgettable new adventure, like his off-off-Broadway production of "_blankThe Tempest" that's absolutely transporting. So let Bruno run free. He's got a lot to tell us, and we've got a lot to learn.

charlesr@washpost.com Charles is The Post's fiction editor. He reviews books every Wednesday.

THE EVOLUTION OF BRUNO LITTLEMORE

By Benjamin Hale

Twelve. 578 pp.

$25.99

More books content

Show more

Loading...

Comments

Add your comment
 
Read what others are saying About Badges