If a 21st-century version of Monopoly or Risk were invented, players wouldn’t acquire and trade Park Place and Marvin Gardens, or even corporations like Microsoft and Deutsche Bank. The real money is in faceless corporations with bland and non-revealing names: organizations with purposes purposely unclear, registered in secretive countries such as Russia and Liechtenstein, with boards of directors and shareholders who may or may not have anything to do with the company — indeed, who may not even exist. They’re billion-dollar corporate webs constructed not of strings of silk but of something much stronger and stickier: strings of legalese.
A massive tangle of such corporations is the nucleus of “The Silent Oligarch,” Chris Morgan Jones’s debut novel, a story of quiet suspense and international espionage. Overseeing this particular corporate tangle is Richard Lock, a divorced Brit who manages the holdings of Konstantin Malin, a Russian “silent oligarch” engaged in an elaborate money-laundering operation: Money goes out of Russia, money comes back, and a percentage of it ends up in Malin’s pockets, untraceable and untouchable. With the corporate machine in place and his own name rather than Malin’s on many of the papers, Lock has become a wealthy man. He has little to do except sun himself in Monaco — “avoiding responsibility and tax in the paradises of the world” with his girlfriend of the moment — while thinking wistfully about the ex-wife and daughter he left behind in London.




















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