Oblivion

Critic rating:
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MPAA rating: PG-13
Genre: Action/Adventure
Starring: Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Nikolaj Coster-Waldau, Melissa Leo
Director: Joseph Kosinski
Running time: 2:05
Release: Opened Apr 19, 2013
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Editorial Review

Deactivate Cruise control
By Michael O'Sullivan
Friday, April 19, 2013

Oblivion” looks marvelous, in the deliciously dystopian way of so many post-apocalyptic films. It’s set in 2077, after alien invaders called Scavengers (or “Scavs”) have laid waste to our moon, leading to cataclysmic floods and earthquakes that have ravaged Earth. The film features gorgeous CGI shots of such broken, half-buried landmarks as the Washington Monument and the Empire State Building, whose observation deck can now be accessed by walking onto it from a mountain of rubble. It’s the kind of film that’s perfect for the Imax format in which some theaters are offering it.

Just be warned that this means it’s also very, very loud. One joker at a preview screening shouted, “Volume!” as the film was barely getting under way, to much laughter. He wasn’t complaining that it was too quiet.

It ought to look good. The movie, by director Joseph Kosinski (“Tron: Legacy”), is said to be based on a graphic novel by Kosinski and comic book writer Arvid Nelson. Although that book was never published -- and probably never will be -- the mock-up of the story drew the attention of star Tom Cruise, along with not one, but two, studios. Disney, which originally had the rights, ultimately gave them up to Universal, which made the film.

It’s an engrossing, if complicated and twisty, story, with plentiful sci-fi action and a provocative subtext about the nature of the human soul. At times, however, the balance between those two things feels off. Some of the fight sequences, which involve robotic flying “drones” mounted with guns, go on a bit longer than is strictly necessary.

Cruise plays Jack Harper, a futuristic maintenance man whose dangerous job consists of repairing the drones that patrol Earth, an unpopulated wasteland where giant “hydro rigs” convert seawater into energy to be used by what’s left of the human race, which has relocated to a colony on one of Saturn’s moons. Although we’ve won the war against the Scavs, there are still some left, and they like to sabotage the hydro rigs and the drones almost as much as they enjoy trying to kill Jack.

He and his partner/lover, Victoria (Andrea Riseborough), who provides backup from a command center in the clouds, have their work cut out for them, but it’s more routine than glamorous. “We’re the mop-up crew,” Jack says.

All is not as it appears, however. That scenario, as laid out by Jack in voice-over narration, soon starts to show cracks. The Scavs’ terrorist-style activities pick up, and a spacecraft loaded with humans in suspended animation crash-lands on Earth, drawn by an electronic beacon emanating from the surface. It’s suddenly as if the order of Jack’s world is turned upside down, including his understanding of who the good guys and the bad guys are. Even Jack and Victoria’s boss, Sally (Melissa Leo), who supervises their work from an orbiting satellite called the Tet, starts to seem not quite so maternal as she did at the beginning of the film.

More important, Jack starts to question his own identity; indeed, the very nature of identity itself. It’s worth noting that, although Jack and Victoria underwent mandatory “memory wipes” that erased everything they knew before starting these jobs, Jack is plagued by strange dreams of a pre-war Earth -- a time when he wouldn’t even have been born -- and of a beautiful but mysterious woman (Olga Kurylenko).

The film’s big reveal is satisfying but requires some mental effort. This is not a movie during which you should fall asleep. Fortunately, there’s not much chance of that. “Oblivion” is fast-paced and exciting.

As for the elephant in the room, it must be said that going to a Tom Cruise movie these days is more complicated than it used to be. The real-world baggage that this sometimes kooky tabloid staple brings to the screen is, for many, harder to ignore than it is with other movie stars, with the possible exception of Lindsay Lohan. That said, Cruise makes for a fine and even appealing action hero, perhaps because his character is someone without an apparent past. It’s as if “Oblivion” is inviting us to undergo our own memory wipes before seeing the film.

If you’re able to forgive and forget, “Oblivion” isn’t a bad place to start loving Tom Cruise all over again.

Contains obscenity, brief nudity and some violence.

Reader Reviews

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Avg reader rating
Look deeper in this one

If you think 'Blade Runner' is just about hunting robots, you won't like this movie. There are many story lines and philosophies going on in this flick. Each time you watch it, you learn something new and think about it differently.

Can't wait to watch again

"Derivative"? You know what's "derivative"? Iron Man 3... I instead spent my time with Oblivion, and enjoyed every minute of it. As the movie went on, I realized more and more how much I was enjoying it, and was hoping more and more that they wouldn't screw up the ending. Did not disappoint! Awesome flick.

Lame

Oblivion is a cross between the last 10 minutes of 2001: A Space Odessey and Phantasm. Save your money. It's two hours you'll never get back.

it's a love story

entertaining and a bit twisty. plenty of action and an intriguing plot. The key thing to realize is that this is a love story above all, kind of like how The Adjustment Bureau ended up. It might make for a decent compromise for a date movie.

plot flaws

several major plot flaws but then what movie doesn't. just enjoy it as entertainment and you'll have a good time.

Really good sci-fi

I don't have the Cruise issues that others seem to have, so I enjoyed him & the film immensely. No plot holes at all. Special effects were terrific. Loved all the nostalgic touches too. Morgan Freeman's appearance is pitch-perfect. Would have given it 3-1/2 stars if an option.

The third jaw clench

At the third jaw clench my brother and i groaned. As big action movie fans, it is necessary the hero be believable, and Cruise is not. Harrison Ford, Matt Damon, even Arnold has a certain humor. The accumulation of a quarter century of cliches does not a performance make and ruins a quite intriguing story.

Too derivative

http://pmands.com/oblivion-starts-the-summer-movie-season-with-a-meh/ "In the process the movie borrows from just about every bleak, futuristic movie I’ve ever seen–as I implied in the last paragraph most notably from The Matrix. The set-ups for where the movie is headed are obvious as well. For instance, Sally asks Victoria at the end of each transmission if her and Jack “are still an effective team.” Victoria happily replies that they are, but an idiot can surmise that at some point in the movie she’ll reply in the negative. Then what will happen? You’ll have to purchase a ticket to Oblivion to find out!"

Oblivious

In order to enjoy this film, you have to ignore it's obvious rip-of--, er, nods to other franchise sci-fi flicks, notably 'Total Recall', 'The Matrix' and even 'Wall-E', for cryin' out loud. Another Cruise control popcorn flick, nothing more.

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