Addison/Ripley Fine Art Gallery

Gallery
9/12 - 10/25

Joan Belmar: Chords

This exhibition features richly layered and thoughtful works on canvas and paper.
11/1 - 11/15

E.BRADY ROBINSON: ART DESKS

This exhibit features photographs of the desks and working spaces of artists, curators, art dealers, and critics throughout the East Coast.
11/21 - 12/6

Diana Walker: Hillary

Walker's full-color and stirring black-and-white photographs tell the story of Hillary Rodham Clinton's political life on stage and behind the scenes.
12/12 - 1/24/15

Frank Hallam Day: Shrines

Working at night, Frank Hallam Day manages to capture and reveal an unusual perception of the nighttime landscapes of Thailand and Burma in his photography.
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Editorial Review

If any art dealership deserves the term "venerable," it's this one. In business since 1981, the space - half frame shop, half gallery - takes its name from Christopher Addison and his wife, Sylvia Ripley, whose decisions about what to show, Addison says, are still guided primarily by "what engages us."

What engages them runs the gamut from the emerging to the established. In recent years, that includes everything from the work of longtime D.C. painter Manon Cleary, whose pictures range from sublime skyscapes to portraits of her pet rats, to the work of Amy Lin, a young artist known for abstractions of dots and swooping slashes in colored pencil. It's an approach that entails some risks: Photographer Frank Hallam Day's recent show of eerie nighttime photographs of RVs was a critical success but a commercial bust.

"When Sylvia and I started out," says Addison, "we were incredibly naive. We thought we knew something other people needed to know." They still feel a little that way, he adds, but their missionary zeal has been tempered by wisdom.

Good neighbor: Govinda Gallery. Photography, mostly, with an emphasis on rock-and-roll.

-- Michael O'Sullivan (Jan. 14, 2011)