The sentiment is controversial with the diversity of blues performers from different backgrounds on today’s scene. But Memphis makes his argument with his music. He’s supported nicely by an unobtrusive band including some wailing harmonica. His singing is anguished and when he cries out “I am the blues. I own the blues,” you believe it. The album’s highlight may be John Brown, a first person historical take on the hanging of John Brown after he led a raid on the arsenal Harper’s Ferry to start an armed slave insurrection in 1859. It features nice harp work from Jay Summerour The guitar playing shines throughout and this album is clearly the most personal Memphis Gold statement yet and another step forward for a continually growing artist.
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