Dance Place

Through 5/31

Dance Africa, D.C. 2015

The 28th annual festival celebrating the dance and music of the African Diaspora featuring some of the best African dance companies in the DC area, international artists, a master class series and an African marketplace.
6/13 - 6/14

World Dance Theater

Inspired by the mother of modern dance, Isadora Duncan, Word Dance Theater merges the worlds of dance, music, theater and production.
6/20

New Releases Choreographers Showcase 2015

Includes new works by established and emerging choreographers.
7/10 - 7/11

DC Hip-Hop Theater Festival

Street dance choreography is set to a conversational monologue that blends spoken word, poetry, and rap lyrics written over the course of 20 years. Xavier takes hip-hop techniques from the street to the stage and tells the autobiographical story of an artistic journey defined by sacrifice, passion, and transcendence.
7/16 - 7/26

The Princess & The Pea

Love, loss, and a ridiculous tale of finding true love. Presented as a part of the 2015 Capital Fringe Festival.
7/15 - 7/26

Niche at Capital Fringe 2015

"Niche' follows an unremarkable couple with a new house, big careers, and odd neighbors. Features storyboard caricatures drawn in real time by artist Susan Miranda and live guitar music.
8/1 - 8/2

Furia Flamenca

The skill and passion of flamenco choreographer Estela Velez de Paredez unites with the music of composer/musician Guillermo-Juan Christie and Middle Eastern dancer Yillah Natalie in an expanded version of their sold out 2014 show Recordando La Alhambra.
8/13 - 8/14

Energizers Creative Arts Camp Concert

The concert showcases the talent of the studio's Energizers Creative Arts Camp students in dance, music and more.
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Editorial Review

Hiding out in a quiet Northeast neighborhood, Dance Place is one of the few theaters that consistently presents the latest in local, cutting-edge dance talent. Founded by Carla Perlo in 1980, the compact black-box performance space (which doubles as a dance studio by day) hosts an eclectic array of performances nearly every week of the year.

Annual presentations of the resident dance companies -- Carla & Company, Deborah Riley and Coyaba Dance Theater -- forms the backbone of programming. Choreography with an ethnic bent, youth ensembles and performance art fill out the rest of the schedule. The small studio was the site of notorious shock-artist Karen Finley's first D.C. performance, and it was also where Blue Man Group gave its last nonprofit performance before moving to the lucrative New York market and beyond.

No red carpets or shimmering chandeliers decorate the simple, functional lobby of the theater, whose walls display the work of local artists. Seating is general admission, with all 170 padded folding chairs on risers offering open sightlines to the stage. During intermission, patrons can buy light refreshments or pick up loads of information on various cultural events from a table in the lobby. The audiences cut across age and color lines; dress is casual; talk is intense. All of the employees you'll see are dancers or choreographers, too.

Dance Place also services the community. It has brought in over 200,000 underprivileged schoolchildren to watch performances and participate in summer camps that teach them about dance and life skills.

As part of its role as a community arts center, Dance Place offers a full schedule of classes in modern and ethnic dance, many of them accompanied by live music. If you wake up one morning and can't tame those happy feet, you can still sign up for a class a few hours in advance.

-- Nicole Lewis