Beautiful Creatures. Narrated by Ethan, a human who loves a teenage girl from a family of witches, the film unfolds in a contemporary Southern town caught in a time warp of big cars and banned books. Ethan, a motherless teen who loves books, can’t wait to go to college and break loose. He finds instant kinship with Lena Duchannes, the smart and sullen new girl at school. Parentless herself, she has come to live with her rich uncle, Macon Ravenwood. Lena will turn 16 in a few weeks and must go through a ceremony to learn whether she will use her powers for good or evil.
THE BOTTOM LINE:
The acts of witchcraft involve a lot of special effects and lightning, but are not graphic. The film includes occasional profanity and one implied teen sexual situation. Nothing explicit occurs, but Ethan and Lena kiss and then drop out of camera view. The film features a potentially lethal shooting. Without preaching, the film says that good or evil is always a choice.
A Good Day to Die Hard. As long as action-movie fans 17 and older don’t require a story to make sense, they can appreciate the vehicular insanity, gun battles and explosions in this deafening and unnecessary sequel. Bruce Willis returns as police officer John McClane. He learns that his long-estranged son, Jack, is under arrest in Moscow, accused of assassinating a gangster. McClane discovers that Jack is a CIA agent, trying to salvage a quickly unraveling plan to spirit a jailed Russian billionaire named Komarov out of the country. Komarov has access to weapons-grade nuclear material and has grown a conscience about it. Needless to say, starting with massive explosions at the courthouse where Komarov is on trial, all is not what it seems. Grudgingly, Jack lets his father in on the action.
THE BOTTOM LINE:
The movie consists mostly of eardrum-shattering gun battles and explosions and road-destroying, metal-shearing car chases and crashes. In all of this, the film depicts a few injured bystanders, but in reality the sort of violence they’re imagining would kill or injure many. Wounds are usually less than graphic. The dialogue includes strong profanity.
Horwitz is a freelance writer. Find her past reviews at the On Parenting page.