Kristen Wiig has worked steadily since her break-out success in “Bridesmaids,” doing basically what she’s always done — quirky supporting parts in comedies, cameos on TV, a voice in cartoons and killer walk-on appearances at awards shows.
But that doesn’t quite camouflage what her new film, “Girl Most Likely,” represents. The film, now going into limited release, is her first starring role after having written and starred in a blockbuster.
“Maybe people have expectations for what I do after ‘Bridesmaids,’ ” she says. “I don’t take on that burden, because I don’t think that way.”
Expectations, after all, are the trap her character in “Girl Most Likely” falls into. Michelle Morgan’s script is about a 30-something who had great expectations in her youth. An award-winning teen playwright, she took her shot at New York and got a job at a magazine and a collection of high-class friends. But as you’d expect in a comedy, things are not what they seem. The job is drudgery, her romantic relationship isn’t working out and she’s one failed fake suicide attempt from being shipped back to New Jersey, to the life she abandoned and the mother (Annette Bening) she escaped.
“Imogene’s at that age when it seems like everyone around her has their stuff together, and she doesn’t,” Wiig says. “Imogene feels a little lost. She’s not sure what she’s supposed to do to get there. I think a lot of us can relate to that — that idea that we’re not there and we’re not getting there.”
The film, co-directed by the team that did “American Splendor,” touches on the subject of people who peak too early in life, who leave home for the big city and fail. Imogene must go home, take stock, and deal with her mother and what might have been.
“A lot of people who leave their hometown and move somewhere else see where they came from as ‘my old life,’ the one they want to forget about,” says Wiig, who grew up in Rochester, N.Y. “What I loved about this script was that she has an opportunity — okay, she’s forced — to go back to this place she thinks she hated and figure out what she loved about it growing up.”
Wiig admits that she chooses her roles based on how “very specific, sometimes very odd” her character is. When her friends at Funny or Die pitched her an episode of Comedy Central’s “Drunk History” that had her impersonating 1970s kidnapped heiress Patty Hearst, “that’s all they had to say. ‘Patty Hearst,’ ‘drunk history.’ ” Comedian Natasha Legerro read up on the Hearst case and narrates the story, drunk, as Wiig, as Patty, acts it out.
She starts work on a drama with comedic undertones, “Welcome to Me,” in August. And there’s a straight drama, “The Skeleton Twins,” that co-stars Wiig’s former “Saturday Night Live” castmate Bill Hader, already in the can. They play twins who reunite and re-assess their lives after near-death experiences.
“I think people are going to be surprised at me in this,” Hader says. “I know Kristen’s going to surprise them.”
Which is all any actor can ask for — the chance to surprise. As Wiig makes that turn past her 40th birthday (Aug. 22), she finally gets to do what a lot of her comic performances hinted she’d be good at — drama. Her funniest creations have a wistful air of sadness, even tragedy, about them.
“I kind of fell into comedy,” she says. “And stayed here. Maybe now, I’ll have the opportunity to do both.”
It’s tough to get her take on how her life changed after “Bridesmaids,” which earned $170 million at the U.S. box office in 2011.
“I never know how to answer that. I have nothing to compare it to. I don’t know how to talk about myself. Geeeeez!”
Maybe that connects with the whole “expectations” game. “Girl Most Likely” isn’t winning the warmest notices from critics, with Slant Magazine opining that it might have been “just a paycheck for the otherwise enormously talented Kristen Wiig.”
The actress shrugs that stuff off. She’s still on the lookout for that next “dark and odd” character and that next indie film.
“After you’re in a movie that’s had some success, people pay too much attention to what you do next,” she says. “If you worry about that, you’ll never do anything.”
At area theaters. Rated PG-13 for sexual content and profanity. 103 minutes.