And for many of us cartoonists, it was reassuring to meet its creator, who launched the comic with King Features in 1960. Keane, not unlike "Peanuts" creator Charles Schulz, seemed to absolutely embody a time in American life when things weren't necessarily more innocent, yet were somehow simpler.
The nuclear family in "Family Circus" was both a porthole into whimsical humor and, for some, a mirror of life with young children. In that way, the strip has long been a gateway comic for kids — a cartoon that, like "Dennis the Menace" — invites without overwhelming.
And having been launched at a time when the comic strip was still as central to the domestic landscape as family dinners and "The Ed Sullivan Show," "Family Circus" became a favorite of millions of readers — a juggernaut that launched TV specials and millions in book sales.
Keane was also tolerant of parodies of his cartoons, and some of the best cartoonist in the world took up the challenge of adding their own flavor to the classic panels. As Maura Judkis explained:
“Family Circus” was perhaps the most wholesome of all comics — which made it the biggest target for parody artists, eager to insert some mayhem, or even some sex, drugs and rock ‘n’ roll in an otherwise pristine suburban livelihood. Creator Bil Keane, who passed away Nov. 8, was famously tolerant of parodies of his comic strip, which was the most widely-read syndicated panel in the world.
Mainstream cartoonists, such as Scott Adams (“Dilbert”) and Stephan Pastis (“Pearls Before Swine”) spoofed his work, but in recent years, some web cartoonists have been putting a darker spin on the idyllic family of six.
Scott Gairdner, a Los Angeles comedy writer, created Scott Meets Family Circus, in which he inserts himself as a wisecracking and sometimes menacing figure who crushes the children’s self-esteem and lures the character of Mommy, based on Keane’s own wife, away from Daddy for liaisons in hotels.
There’s also the Nietzsche Family Circus, which turns the series’ four children — Billy, Dolly, Jeffy and P.J., all composites of Keane’s kids — into quasi-existentialist sorrowful geniuses. The blog pairs a randomized Family Circus cartoon with a randomized Nietzsche quote, and the pairing produces instances of Mommy disciplining Billy with the caption, “The growth of wisdom may be gauged exactly by the diminution of ill temper.”
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