iPad 2 pushes sheet music, and page turners, off the stage

From Sam Haywood - Pianist Sam Haywood uses an iPad to turn his pages.

“That was the initial draw— I can carry everything I’m studying and working on for an entire season with me,” says Jeff Kahane, conductor of the Los Angeles Chamber Orchestra, who caused a stir in November when he conducted the New York Philharmonic from his iPad. “It’s so functional, and it’s solved a lot of problems no one anticipated. Think of outdoor concerts and the wind. ... The iPad won’t blow away.”

For Hugh Sung, the professional pianist who invented AirTurn, the wireless foot-pedal that Haywood and Kahane use, digital page-turning is the culmination of a decade of tinkering.

“I’d been thinking about a hands-free page-turning device since I first saw a tablet computer in 2001,” said Sung. “It wasn’t until the iPad hit the market that digital scores really caught on.”

His silent, Bluetooth-controlled foot pedal, allows users to turn the pages on their iPads with the tap of a foot. The BT-105 model (costing around $129) has a pair of pedals that turn pages forward or backward. Since 2010, he has sold thousands to iPad users.

“The market is only getting larger,” said Sung. “There are estimates that 20 million American households have at least one member who plays an instrument. We estimate that the market for musicians using iPads is in the area of 2 million.”

Some musicians, even those who are proud iPad owners, are reluctant to make the switch from paper to digital. While ideal for pianists, a 9-by-7-inch screen doesn’t suit every soloist. “The iPad is a little on small side for my taste,” said Bell. “I’ve practiced off of it when I’m in a pinch in some remote corner of the world, but I’ve never used it in concerts.”

The tech-savvy Borromeo String Quartet, in residence at the New England Conservatory, began using MacBooks and foot-pedal technology in 2007. Nicholas Kitchen, violinist and founder of the quartet, began performing with digital scores because he wanted the quartet members to see all four lines of the score simultaneously, which is nearly impossible on printed scores. He prefers laptops to tablet technology.

“I keep my iPad in my bag, of course, just in case I need it,” said Kitchen. “But playing off the MacBook Pro is easier with the large screen.”

Kitchen said the greatest unexpected benefit of digital libraries is the easy access to original manuscripts. “I have probably 40 Beethoven manuscripts on my computer, and we’re reading off them as we play,” he said. “That’s been stimulating in a way I never could have anticipated.”

But for all the technological advancements available to musicians, Bell and Haywood still have dreams of new tools that could grace their performances decades from now.

“The gadget I’m waiting for is the display screen on glasses, or even better, contact lenses,” said Bell. “Then I could read music and no one would know at all. I’m hoping it will come along by the time I hit 70 and my memory starts to go.”

“I think they do have those sorts of glasses in the military,” adds Haywood. “It’d be so nice to have a complete score, just hovering in front of your eyes.”

Joshua Bell

and Sam Haywood

presented by the Washington Performing Arts Society. 8 p.m. Monday. Kennedy Center Concert Hall, 2700 F St. NW. $42-$115. Call 800-444-1324 or visit www.wpas.org.

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