Who are we? Occupy D.C.
The crowd loved it, but Pat Humphries and Sandy O weren’t satisfied. Starting from scratch, Humphries crafted new lyrics and a melody, and they worked out the harmonies. The next evening, they carried their acoustic guitars to Freedom Plaza and performed “Occupy the U.S.A.” for the first time.
Welcome to the U.S. occupation
To win the hearts and minds
Defend all humankind
Tell the banks and the corporations
We’re here to occupy the U.S.A.
We support our unions
And our right to organize
Students, homeless, immigrants
Are strengthening their ties
We have struggled far too long
Now let this be a sign
One percent in power
Meet the other 99!
“Sometimes, we walk away after an event and think [a new song] didn’t quite get it,” Humphries says. “Sometimes, we walk away and think, yes!”
This time felt like a yes to the women, but who knows? The first singles on the soundtrack of the revolution are being written on the fly and downloaded as we speak. Every songwriter secretly hopes to compose an anthem worthy of Dylan, Odetta, Chuck D, the Clash — pick your idol — but fans and critics will be the judge of that.
For now, what’s interesting about this new movement music is the role it’s playing in the organizing and how it identifies deeper streams that seem to link disparate cultures of rebellion in the United States and other parts of the world.
The Arab Spring; the pro-union demonstrations this year in Madison, Wis.; the plight of illegal immigrants; the execution of Troy Davis, and disenchantment with President Obama are among the themes that have inspired multiple songs by various artists in recent months.
“The Arab Spring really accelerated everything,” Sandy O says. “I think the Arab Spring is why Madison happened the way it did and why the occupations are happening the way they’re happening.”
Mount Rainier-based Emma’s Revolution saluted the Arab Spring in a new song called “Rise” and addressed Madison in “Stand Together.”
The duo wrote “Occupy the U.S.A.” as “a rally song to reflect back to the people that we as activist musicians are with them,” Sandy O says. “It’s really about them, it’s for them, and it’s something we want them to use.”
David Rovics had a different purpose in mind with his fresh tune “Occupy Wall Street.”
Rovics, based in Portland, Ore., also performed on Freedom Plaza, but there he presented his Arab Spring song (“Tunisia 2011”) and his anti-Obama song (“Four More Years”) because his Wall Street jeremiad wasn’t ready yet.
He finished it last week, and that night in a hotel room in Orlando, he sang it into the video camera of his iPhone, then uploaded it to YouTube. Now he’s on tour, playing it at every occupation he can get to.