Thee Oh Sees
Castlemania
Thee Oh Sees perch comfortably atop a vibrant Bay Area garage-rock scene. It’s a spot they’ve earned for a number of reasons: seniority (the band has been bashing since 2005, and head Oh See John Dwyer fronted primal pounders the Coachwhips before that); an inhuman prolific streak (being an Oh Sees completist is like being a member of a fabulous record-of-the-month club); and the simple fact that the band is one of the best live acts on the West Coast, East Coast or anywhere in between, delivering a blur of hip-shaking, revved-up mayhem every time it’s onstage.
Many bands in today’s indie world would take this combination of factors and attempt to capitalize on it with a breakthrough album that cleans up and streamlines all of the elements working in their favor. Thee Oh Sees are not many bands. “Castlemania” is a whimsically absurd collection that has more in common with British avant-garde weirdos Bonzo Dog Doo-Dah Band than garage-rock standard-bearers the Sonics. Anybody looking for propulsive fuzz-and-chug, well, try the concurrently released “Singles Vol. 1 and 2” compilation. But if you want to hear a band happily expand its sound to include giddy, oompah romps (“Corprophagist”) or orchestral odes to swinging London (“Corrupted Coffin”), then “Castlemania” is your bag.
























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