Red, that brash, bleeding color of stop signs and bullfighters and aspirational lipstick shades women are always not quite pulling off — that one’s a bit too orange, love — is a hue that draws attention, sometimes the kind of attention one later regrets drawing. See: humanity’s biological red, the blush. ¶ It’s the color of luck in Lunar New Year parades, which will unfurl in the D.C. area this week, and the color of the countryside in places such as Liberty, N.Y., where the landscape is dotted with old wooden barns in various shades of red, in various stages of decay. ¶ In the District, red is officially coded in the the 1000 color block of the Federal Standard 595. In 1956, Washington, city of obscure regulations of obscurer domains, set about making order of the color palette. Fed-Std-595 was the military’s way of standardizing its paint and its supplies and its signage and whatnot, and over the years the Federal Standard has grown to include 650 federally recognized colors, including some 60 federally sanctioned reds.
Which is thoroughly beside the point of red. The point of red is its unbridledness, its pertness, its sauce. One cannot wade through a feminist studies class without tripping on Hester Prynne and her big red A, Scarlett O’Hara and her big red dress, Eve and her big red apple. What does red mean? the professor asks, and it always has to mean something. Post-heartbreak, nobody puts on Taylor Swift and dances around her apartment in her sweats, boldly painting a wall beige.

























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