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Tom Gundelfinger O’Neal: Rock-and-roll photos live on Photographer Tom Gundelfinger O’Neal reflects on documenting the biggest names in rock-and-roll and folk. O’Neal’s photos are on view at the National Press Club through May 4.
Crosby, Stills, Nash & Young's ‘Déjà vu’ album shoot in Crosby’s backyard before Woodstock
“Stephen Stills came up with the idea to create an image that looked like something from the 1870s, 1880s. We did tin types from the Civil War era. I told them they were going to have to sit still for two minutes.”
Tom Gundelfinger O'Neal
/
The National Press Club
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David Crosby at ‘Déjà vu’ shoot
“David is a very, very deep, powerful, very charismatic guy. . . . He, Gary [Burden] and I would get in a car and go cruising in L.A. and I would just sit in the back and listen to David talk . . . ”
Tom Gundelfinger O'Neal
/
The National Press Club
David Crosby at ‘Déjà vu’ shoot
“. . . It could be something very commonplace, but he had a way of making something very commonplace into something extraordinary.”
Tom Gundelfinger O'Neal
/
The National Press Club
Crosby, Stills, Nash & Young at Peter Tork’s house
“It was different then, really different. You did a lot of hanging out and in the process the photos started to arrive.”
Tom Gundelfinger O'Neal
/
The National Press Club
Neil Young in Peter Tork’s pool between rehearsals
“They needed a house and Peter Tork was a good friend. His house was used as a rehearsal studio in the garage. They had everything set up there . . . they lined the walls with Persian carpets. And when they would take a break, they would jump in the pool. Everyone would take their clothes off.”
Tom Gundelfinger O'Neal
/
The National Press Club
Neil Young listening to playbacks in Buffalo Springfield recording session in September 1967
“I did build relationships with these guys and women and that’s probably what I cherish the most.”
Tom Gundelfinger O'Neal
/
The National Press Club
Graham Nash before Woodstock, August 1969
“Usually they say you’re part of the original family. I don’t want to be too presumptuous, but I knew these guys well.”
Tom Gundelfinger O'Neal
/
The National Press Club
David Crosby with the Byrds at the Whisky a Go Go nightclub in Los Angeles
“I used to take it for granted. Now so much time has built such a history to it. I say I was really lucky. It was incredible what I got to do.”
Tom Gundelfinger O'Neal
/
The National Press Club
Joni Mitchell in December 1967 before the release of her first album
“Crosby said, ‘I want you to meet this girl.’ I was back in the Monterey area for a little bit. … I said, ‘Grab your guitar, I’ll take some pictures of you.’ ”
Tom Gundelfinger O'Neal
/
The National Press Club
Joni Mitchell
“She said, ‘Would you like to hear my album?’ . . . She sits down and starts playing. I had a friend with me, just me and my friend. Her manager was in corner trying to book a date for her. She starts singing . . . ”
Tom Gundelfinger O'Neal
/
The National Press Club
Joni Mitchell deep in thought at Peter Tork’s house, 1969
“I started taking a few pictures and I put down the camera. I just had to be here. She sang the whole album. It just destroyed me. It was absolutely wonderful.”
Tom Gundelfinger O'Neal
/
The National Press Club
Joni Mitchell and Graham Nash, her boyfriend at the time
“I'm trying to point out this woman is very, very strong, but she doesn't let you know that. You feel it with her.”
Tom Gundelfinger O'Neal
/
The National Press Club
Joni Mitchell, painting as a hobby on Peter Tork’s patio
“The last time I saw her we had a great connection at a Neil Young concert. She was off to the side. She gave me a big hug. We talked for a little bit. It was 20, 25 years ago.”
Tom Gundelfinger O'Neal
/
The National Press Club
Janis Joplin at Monterey International Pop Music Festival
The Monterey International Pop Music Festival “started careers for many people."
Tom Gundelfinger O'Neal
/
The National Press Club
Country Joe & the Fish at Monterey International Pop Music Festival
“It launched me. It got me in the door to see people so they would see me and hire me to do other things.”
Tom Gundelfinger O'Neal
/
The National Press Club
Monterey International Pop Music Festival
“That was really literally three days of music, love and flowers. Nothing was that organized.”
Tom Gundelfinger O'Neal
/
The National Press Club
Grace Slick of Jefferson Airplane at Monterey International Pop Music Festival
"They wanted to do something to give rock-and-roll a better name. At that time it didn't have any class or sophistication."
Tom Gundelfinger O'Neal
/
The National Press Club
Brian Jones of the Rolling Stones at Monterey International Pop Music Festival
“The pictures that I took there, particularly of David Crosby, launched me. I took pictures backstage and sent them to the manager and got a call. The rest is history.”
Tom Gundelfinger O'Neal
/
The National Press Club
Jimi Hendrix before burning his guitar onstage at Monterey International Pop Music Festival
“The stage was 7 feet high. I’m little over 6 feet [tall]. It was awkward to shoot from below the stage because it was hard to see over it. . . ”
Tom Gundelfinger O'Neal
/
The National Press Club
Jimi Hendrix in the crowd at the Monterey International Pop Music Festival
“. . . so I found it was easier to just turn to the left. I found more interesting things going on in the crowd.”
Tom Gundelfinger O'Neal
/
The National Press Club
Art Garfunkel, center, and Mason Williams, right, at the Monterey International Pop Music Festival
“When you take a picture of a rock band and 40 years later, people say, 'Oh my God, I love that photo, it's still formidable in their mind.”
Tom Gundelfinger O'Neal
/
The National Press Club
From left, Michelle Philllips and Cass Elliot of The Mamas & The Papas at Monterey International Pop Music Festival
"Just prior to this, I walked into a record shop in Carmel. I was fine arts major fresh out of college.”
Tom Gundelfinger O'Neal
/
The National Press Club
John Phillips, formerly of The Mamas & the Papas. Solo album photo session in California
"I picked up album cover of The Mamas and The Papas and looked at it. At that moment I had an epiphany and said. . . "
Tom Gundelfinger O'Neal
/
The National Press Club
John Phillips, formerly of The Mamas & the Papas. Solo album photo session in California
"'This is what I want to do. This is a canvas to me. A 12-inch canvas.'"
Tom Gundelfinger O'Neal
/
The National Press Club
The Rolling Stones at San Diego Forum on June 13, 1972
“I hung out, I went to the studio and waited for the moment to take the pic. With the Stones you definitely have to read the moment.”
Tom Gundelfinger O'Neal
/
The National Press Club
The Rolling Stones at San Diego Forum on June 13, 1972
“I never really found the moment in the studio, but were very willing for me to take pictures at the concert. The real experience was being on the stage with them.“
Tom Gundelfinger O'Neal
/
The National Press Club
B. B. King in the desert outside Las Vegas for “Guess Who” album photo shoot
"B.B. King is a classic Southern gentleman. In 1972, I flew to Las Vegas where he was playing at the Aladdin and took him out into the desert about 45 miles outside of Vegas. I wanted to build the shots around his guitar, named Lucille. He got so relaxed, he took off his shoes and then his shirt and fell asleep on a dry lake bed . . . which became the album cover."
Tom Gundelfinger O'Neal
/
The National Press Club
Jim Croce on the streets of Venice, Calif.
"We were shooting on the streets of Venice, Calif., and this little dog came up to Jim and hung out with us."
Tom Gundelfinger O'Neal
/
The National Press Club
Jim Croce at Pacific Ocean Park in Santa Monica, Calif.
"Jim was one of my favorite musicians to work with. He had a beautiful songwriting talent and humility from the beginning."
Tom Gundelfinger O'Neal
/
The National Press Club
Canned Heat on Malibu Beach after a winter storm
"The shot on the beach was taken in Malibu after a huge storm that left tons of driftwood on the shoreline. I felt it made a great backdrop for funky blues band. ‘Goin' Up to Country’ was their hit at the time."
Tom Gundelfinger O'Neal
/
The National Press Club
Canned Heat at a 1970 shoot
Canned Heat “all had nicknames. So for a billboard concept they each got dressed up in the character of their nickname. Al Wilson was the owl, Larry Taylor was the mole, etc."
Tom Gundelfinger O'Neal
/
The National Press Club
Buddy Hackett and Cass Elliot on the set of Mama Cass Television Program variety show
"This photo is from a rehearsal for a skit with Buddy Hackett. He was hilarious with everything he did."
Tom Gundelfinger O'Neal
/
The National Press Club
John Denver in Carmel, Calif., 1996
John Denver “had a much bigger strength and much greater depth in him. And he was troubled. I'd go change film and I'd look back at him and he'd be sitting on a rock looking out at the ocean. I don't like to think about it, but that was the same ocean where he died."
Tom Gundelfinger O'Neal
/
The National Press Club
Davy Jones of The Monkees
“Davy Jones needed publicity photos. I spent time on the Monkees' set to focus mainly on Davy. He was very outgoing to me and the energy on the set was wacky and fun.”
Tom Gundelfinger O'Neal
/
The National Press Club
The Grass Roots, 1972
"I loved working with the Grassroots. Their energy on stage was colorful and they had great interaction with the audience. Our photo sessions always had carefree attitude."
Tom Gundelfinger O'Neal
/
The National Press Club
Jim Morrison of The Doors rehearsing “Touch Me,” 1968
"I met Jim Morrison on the set of ‘The Smothers Brothers Comedy Hour.’ He was quiet and reserved with a small black book for his thoughts always at his side. These shots were taken during the rehearsals."
Tom Gundelfinger O'Neal
/
The National Press Club
Ray Charles on ‘The Smothers Brothers Comedy Hour,’ 1968
"I didn't stick a camera in someone's face and start shooting. I waited for the moment and started to 'click.' "
Tom Gundelfinger O'Neal
/
The National Press Club
John Phillips with one of his pet peacocks, 1969
"I never felt totally connected with John Phillips . . . Sometimes I could really connect with Jim Croce, Crosby, Stills and Nash, Steppenwolf. Sometimes there was an aloofness, a barrier that I just couldn't break through. No, you can't connect with everybody, but that's always my goal."
Tom Gundelfinger O'Neal
/
The National Press Club
Shoot for Steppenwolf’s album, ‘Gold: Their Greatest Hits’
"You have to read the moment. . . . At that certain moment you have the license to start taking pics and that's when you have the control."
Tom Gundelfinger O'Neal
/
The National Press Club
Shoot for Steppenwolf’s first album, “Steppenwolf”
"It was just being there . . . and recording it and going into history."
Tom Gundelfinger O'Neal
/
The National Press Club
Photographer Tom Gundelfinger O’Neal with a print of Joni Mitchell
“If you take an image and couple it with beautiful music, I don’t think people ever forget it.”
Courtesy of Tom Gundelfinger O’Neal
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