Mr. Semprun remained in France much of his life. He spoke uneasily of having a dual national identity. “Sometimes,” he said, “I feel a little schizophrenic.”
His life became one of fractured political relationships. As a young man, he was a resistance fighter against Franco and against the Germans during their occupation of Paris.
After the war, he became a daring operative in the Spanish and French communist parties; his successor in Spain was caught, tortured and executed. But when news spread of the Stalinist show trials and other violent purges of the early 1950s, he began to feel more like a dissident from party orthodoxy. Framing himself as a humanist and realist, he said he was expelled in 1964 for deviating too far from the party line.
Remaining committed to left-wing politics, he channeled his literary talents into Oscar-nominated screenplays, including director Constantin Costa-Gavras’s “Z” (1969) and director Alain Resnais’s 1966 drama “La guerre est finie” (The War Is Over), the second of which starred Yves Montand as a courier in the Spanish communist underground.
By far the more enduring film, “Z” starred Montand as a pacifist leader whose assassination is covered up by the totalitarian Greek junta then in power. Film critic Pauline Kael called “Z,” which was based on a novel by Greek writer and diplomat Vasilis Vasilikos, “one of the fastest, most exciting melodramas ever made.”
In recent years, Mr. Semprun had received prestigious literary awards in Europe and Israel for championing individual freedom of expression. Peruvian author and Nobel laureate Mario Vargas Llosa wrote a tribute to Mr. Semprun in the Spanish newspaper El Pais that noted, “like Albert Camus, his was a literature filled with great moral preoccupation.”
Prime Minister Jose Luis Rodriguez Zapatero of Spain called Mr. Semprun “an intellectual committed to the dignity of man.” The earlier socialist government of Felipe Gonzalez had hired Mr. Semprun as its culture minister in the late 1980s and early 1990s, and his return to Spain was widely viewed as a moment of absolution for the writer.
For years, he had been persona non grata in his homeland after his bestselling 1977 memoir, “The Autobiography of Federico Sanchez,” cast doubt on the extent to which the Socialist Party had broken with its Stalinist roots. The title referred to Mr. Semprun’s pseudonym while serving as a clandestine organizer for the party, which had been outlawed during Franco’s decades in power.
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