- Michael O’Sullivan
- Reporter
Born and raised in Washington, D.C., Michael O’Sullivan has worked since 1993 at The Washington Post, where he covers art, film and other forms of popular — and unpopular — culture.
- ‘Ain’t in It for My Health’ movie review
- ‘Renoir’ movie review
- ‘Epic’ movie review
- Gallery opening of the week: ‘Summer Solos’
- Final weekend for two shows at Art Museum of the Americas
- Hangover Part III movie review
- 'Star Trek' meets 'Star Wars'
- ‘Something in the Air’ movie review
- ‘The Iceman’ movie review
- Last chance to see ‘Pre-Raphaelites’
- Gallery opening of the week: Victoria Fu at Flashpoint Gallery
- ‘Star Trek Into Darkness’: J.J. Abrams delivers a blend of new and old
- ‘My Brother the Devil’ movie review
- ‘In the House’ movie review
- Gallery opening of the week: ‘Raising Dust’
- With G.I. Film Festival and vintage war films, May is military movie month
- ‘The Reluctant Fundamentalist’ movie review
- ‘Aroused’ movie review
- New choices for moviegoers in Ashburn and Bethesda
- Transmodern Festival celebrates 10 years in Charm City
- ‘Pain and Gain’ movie review
- ‘No Place on Earth’ movie review
- Alamo Drafthouse Cinema edges closer to D.C.
- ‘Holla II’ movie review
- ‘Upstream Color’ movie review
- ‘Oblivion’ movie review
- Get your geek on at Awesome Con, D.C.'s first comic convention
- Awesome Con D.C.: Washington’s very own comic convention
- Gallery event of the week: ‘Mixtopias’
- Art and poetry at the Smithsonian Portrait Gallery and American Art Museum
- Sequestration to force rolling closures of some Smithsonian art galleries
- ‘Trance’ movie review
- ‘Silver Circle’ movie review
- ‘To the Wonder’ movie review
- ‘The Company You Keep’ movie review
- Last chance to see the Corcoran’s ‘Ill Street Blues’
- Gallery event of the week: ‘Options 2013’
- ‘Tabu’ movie review
- ‘Reality’ movie review
- ‘Evil Dead’ movie review
- ‘Starbuck’ movie review
- ‘The Silence’ movie review
- ‘The Host’ movie review
- Central American ceramics at the National Museum of the American Indian
- Gallery opening of the week: Kathryn Cornelius
- ‘Inappropriate Comedy’ movie review
- ‘The Croods’ movie review
- ‘Admission’ movie review
- ‘Spring Breakers’ movie review
- ‘War Witch’ movie review
- Portrait Gallery hosts third triennial portrait competition
- Gallery opening of the week: ‘Julie Wolfe: Rewilding’
- ‘John Dies at the End’ movie review
- ‘Let My People Go!’ movie review
- ‘Upside Down’ movie review
- ‘Stoker’ movie review
- ‘Dead Man Down’ movie review
- ‘Greedy Lying Bastards’ movie review
- ‘Koch’ movie review
- ‘Lore’ movie review
- Old and new, fused with rubber at the Phillips
- Park Chan-wook's buzzy "Stoker" opens the Korean Film Festival tonight
- ‘The Frankenstein Theory’ movie review
- ‘Jack the Giant Slayer’ movie review
- ‘A Place at the Table’ movie review
- ‘Dark Skies’ movie review
- ‘Happy People: A Year in the Taiga’ movie review
- ‘Snitch’ movie review
- Art in focus: Mason Saltarrelli
- Art review: ‘Mason Saltarrelli: Golden Cacti’ at Randall Scott Projects
- ‘Escape From Planet Earth’ movie review
- Art in focus: "Walter McConnell: New Theories"
- ‘Sound City’ movie review
- ‘Walter McConnell: New Theories’ at Cross MacKenzie Gallery
- ‘Beautiful Creatures’ movie review
- ‘Nam June Paik: Global Visionary’ — gallery talk
- Gallery opening of the week: ‘Wearing Ethereal’
- The story behind ‘Voice’
- ‘Andrea Way: Retrospective 1982-2012’ at the American University Museum
- ‘Oscar Nominated Short Films 2013: Documentary’ movie review
- Art in focus: Arlington Arts Center's "Interwoven"
- ‘The Oscar-Nominated Short Films 2013: Live Action’ review
- ‘The Oscar-Nominated Short Films 2013: Animated’ movie review
- ‘Warm Bodies’ movie review
- The story behind the work
- Art review: ‘Interwoven’
- Portrait Gallery opens show on African Americans and the Civil War
- Gallery opening of the week: ‘Ahead of Hair’
- 'Movie 43 disgusts and delights
- ‘Parker’ movie review: Serviceable revenge thriller starring Jason Statham
- ‘Beware of Mr. Baker’ movie review
- Jewish Museum of Maryland looks at history of comic books
- Gallery event of the week: ‘Facing Democracy’
- See the first draft of Lincoln's Emancipation Proclamation at the Library of Congress
- ‘Mama’ movie review
- The Renwick Gallery hosts a ‘Handi-hour’
- Gallery opening of the week: ‘Interwoven’
- The story behind the work
- Exhibition review: ‘The Civil War in America’ at the Library of Congress
- Hollywood on the Potomac: ‘Zero Dark Thirty’ isn’t the first film to try and glamorize wonky Washington
- Last chance to see ‘Roy Lichtenstein: A Retrospective’
- Gallery opening of the week: ‘Steven Cushner: The Shaped Paintings, 1991-1993’
- ‘Not Fade Away’ movie review
- Art in focus: ‘No Strings Attached’ showcases the work of five emerging African American artists at the 39th Street Gallery
- The story behind Delusions of Grandeur
- Art review: ‘No Strings Attached’ at 39th Street Gallery
- Last chance to see Per Kirkeby at the Phillips Collection
- Gallery opening of the week: ‘Gothic Resilience’
- Art in focus: ‘Magnolia Laurie: With a Tug and a Hold’ ponders cycles of collapse and creation at VisArts
- The story behind the work
- Art review: ‘Magnolia Laurie: With a Tug and a Hold’
- Last chance to see ‘Marlin Underground’
- Movie review: ‘Parental Guidance’
- ‘Cirque du Soleil: Worlds Away’ movie review
- ‘The Impossible’ movie review
- ‘Comfort Zone’ at Adam Lister Gallery in Fairfax
- ‘Ellsworth Kelly: Colored Paper Images’
- Gallery event of the week: ‘Carol Brown Goldberg: New Work’
- ‘This Is 40’ movie review
- ‘The Central Park Five’ movie review
- ‘Any Day Now’ movie review
- Why does ‘The Hobbit’ look so weird?
- National Portrait Gallery’s ‘Drawing on the Edge’ looks at draftsmanship from different angles
- ‘Waiting for Lightning’ movie review
- ‘Deadfall’ movie review
- The story behind the work
- Art review: ‘Portraiture Now: Drawing on the Edge’
- National Portrait Gallery debuts ‘The Network’
- Art in focus: At the Hirshhorn Museum and Sculpture Garden, ‘Black Box: Democracia’ reminds us that life goes on, even in the face of death
- ‘The Collection’ movie review
- The story behind the work
- Art review: ‘Black Box: Democracia’
- Gallery event of the week: ‘The Unbearable Whiteness of Being’
- Art review: Late fall exhibitions at American University Museum
- Film review: ‘Red Dawn’ remake has better explosions, at least
- ‘Rise of the Guardians’ movie review
- Movie review: ‘Chasing Ice’
- Movie review: ‘Starlet’
- How to wow your holiday guests with the perfect museum excursion
- ‘Portraiture Now: Drawing on the Edge’
- Gallery opening of the week: ‘Net Worked’
- Museums for your holiday visitors: Where (and why) to take your family and friends
- ‘The Twilight Saga: Breaking Dawn — Part 2’ movie review
- ‘This Must Be the Place’ movie review
- ‘The Big Picture’ movie review
- Taryn Simon and Enoc Perez at the Corcoran Gallery of Art
- Gallery event of the week: ‘Trawick Prize Exhibition’
- Art in focus: ‘The Ripple Effect’ looks at social issues through an artistic lens
- ‘Wreck-It Ralph’ movie review
- ‘The Flat’ movie review
- ‘The Details’ movie review
- ‘The Ripple Effect’ at the Art Museum of the Americas
- Late fall exhibitions at A.U. Museum
- Gallery opening of the week: Michael B. Platt and Carolina Mayorga
- ‘Simon and the Oaks’ movie review
- ‘Pusher’ movie review
- ‘Chasing Mavericks’ movie review
- Art in focus: ‘Fall Solos’ put the work back in artwork
- The story behind Nancy Daly’s work
- Review: ‘Fall Solos’ at Arlington Arts Center
- Last chance for ‘Campaign Re/Form’
- Gallery opening of the week: ‘Nothing Lasts Forever’
- ‘War of the Buttons’ movie review
- ‘Smashed’ movie review
- ‘Alex Cross’ movie review
- Movie review: ‘Tai Chi Zero’
- The story behind ‘In the Pines’
- ‘Mariah Anne Johnson: In the Pines’ at Flashpoint
- ‘The Ripple Effect’ at the Art Museum of the Americas
- Gallery event of the week: ‘Fall Solos’
- ‘Special Forces’ movie review
- ‘Sinister’ movie review
- ‘Middle of Nowhere’ movie review
- ‘Least Among Saints’ movie review
- ‘Charlotte Dumas: Anima’
- Gallery opening of the week: ‘Signals’
- Frustrated ‘Rumble’ fans to get refund
- How the (e)merge art fair at the Capitol Skyline Hotel is like a hot dog eating contest
- ‘The Paperboy’ movie review
- ‘The Oranges’ movie review: Marital infidelity is played for laughs
- ‘Frankenweenie’ movie review
- ‘Meet the Artist: Jeroen Eisinga’
- Gallery opening of the week: The Fridge
- D.C. Fine Art Photography Fair showcases traditional photography
- Quiz: Jon Stewart vs. Bill O’Reilly
- How to watch ‘The Rumble 2012’
- The Rumble 2012: Bill O’Reilly and Jon Stewart ready to debate in D.C.
- (E)merge art fair, Ai Weiwei top October art highlights
- Art in focus: Kevin Kepple takes a bare-bones approach to painting that’s surprisingly muscular
- ‘Pitch Perfect’ hits almost all the right notes
- ‘Hotel Transylvania’ movie review
- ‘Vulgaria’ movie review
- ‘Stars in Shorts’ movie review
- The story behind the work
- ‘Kevin Kepple: New Work’ at Addison/Ripley Fine Art
- Serial Portraiture at the National Gallery of Art
- Gallery event of the week: ‘Wax Works’ at the Athenaeum
- ‘Step Up to the Plate’ movie review
- Like the relationship at its center, fun, but not built to last
- ‘End of Watch’ movie review
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