The familiar fairy tale is subtitled ‘A Gothic Romance’ and is more dance theater than ballet.
REVIEW | The Suzanne Farrell Ballet, as always, is so close, but ultimately frustrating.
Susan Marshall’s interesting new work, at the Terrace Theater, ends up seeming self-important, overworked.
Troupe keep audience constantly engaged, surprised and inquisitive through richly textured performance.
The National Portrait Gallery’s “Dancing the Dream” explores generations of American dance.
Margaret Jenkins culled her earlier productions to produce a new and rewarding work.
The dance program at Kennedy Center has plenty to leave an audience uncomfortable
Veteran dancers Astad Deboo and Shanta and V.P. Dhananjayan will put the power of gray on display.
American dancer spoke at the Kennedy Center about his journey to the top of his profession.
‘Swing Time’ is the first major retrospective of the American scene painter’s work in more than 20 years
In his first film — part of nine that have been restored and are on tour — moving bodies evoked emotion.
‘Samba’ shines, but two other dance pieces slide into familiar territory.
Critic’s Notebook | Paul McCarthy and James Turrell — one earthy, the other ethereal — have East Side exhibits.
“I’m So Excited” and the filmic choreography of air travel.
The choreographer behind “Here Lies Love” makes moves for Baryshnikov and David Byrne.
Others were wrong about Stravinsky’s score, but Walt Disney’s dinosaurs finally did the music justice.
At the Kennedy Center on Friday night, a new ballet took the form as its subject and didn’t blow it to pieces.
“Les Patineurs,” performed by the Sarasota Ballet, is the jewel of this year’s series at the Kennedy Center.