Yvonne Rainer is bringing a group of dancers to the American Dance Institute in Rockville, Md.
A breakdown of some of the company’s most astounding physical feats
On “Dancing With the Stars,” double amputee Amy Purdy dances on a different plane from the rest.
What a crazy night. What a wonderful night. Surely we were hallucinating.
The shimmer has faded a bit, but the work overall delivered, choreography aside, at Kennedy Center.
26-year-old Justin Peck’s acclaimed “Year of the Rabbit” will be performed at the Kennedy Center this week.
Justin Peck has made half a dozen works for City Ballet, which performs the Washington premiere of his “Year of the Rabbit” at the Kennedy Center in April.
The Mercer player’s happiness was impossible to resist.
Kidd Pivot troupe’s mime-dance-theater interpretation only fitfully succeeds with the complicated tale.
The name will change to Paul Taylor’s American Modern Dance, signifying the company’s growth.
Bowen McCauley Dance program brought an altogether pleasing work to the Atlas Intersections Festival.
The best part of Washington Ballet’s “British Invasion” is Wheeldon’s work “There Where She Loved.”
Is the grand classical masterpiece a good fit for a small company?
At Rockville’s American Dance Institute, female troupe’s moves are muscular but hardly approachable.
The program included two new pieces and two older pieces: “Leaving Pusan” and “Khaybet.”
The Russian company, beset by its own battles in the past year, will bring the betrayal-themed “Giselle” to D.C.
REVIEW | The production is a triumph for what is still proudly tender and harmonious in Russian ballet.
The familiar fairy tale is subtitled ‘A Gothic Romance’ and is more dance theater than ballet.
REVIEW | The Suzanne Farrell Ballet, as always, is so close, but ultimately frustrating.
Sarah Kaufman received the 2010 Pulitzer Prize for Criticism and has been The Washington Post's dance critic since 1996. But after logging serious sit-time in opera houses, church basements, fairground tents and lawn chairs, what moves her most is seeing grace happen where she least expects it.