Anne Midgette

Classical music critic/The Classical BeatWashington, D.C.


Stockhausen’s score was revealed as a masterwork despite a paint-by-number presentation.

  • Apr 26, 2015

Three NSO position players get a solo turn — and a chance to assert different, strong personalities.

  • Apr 24, 2015

This season’s schedule is focused more on the content of the programs than in the past.

  • Apr 24, 2015

Evgeny Kissin’s latest Washington Performing Arts recital is sometimes, but not uniformly brilliant.

  • Apr 23, 2015

The Monteverdi Choir and English Baroque Soloists do Monteverdi proud with a joyful performance

  • Apr 22, 2015

New work offers strong words, clear music and the joined forces of Cantate and Afro Blue.

  • Apr 20, 2015

Soheil Nasseri dealt masterfully with a bad piano in a dinner concert at Strathmore’s new hall/club, AMP.

  • Apr 19, 2015

Vassily Sinaisky leads Rachmaninoff rarity, after a showcase for NSO principal clarinet Loren Kitt.

  • Apr 16, 2015

The Wallace Foundation announces a 52 million dollar initiative to build performing arts audiences. Are the projects it’s funding actually innovative? And should they be?

  • Apr 15, 2015

In naming Deborah Rutter, a classical music administrator, the Kennedy Center may be sending a signal.

  • Dec 11, 2013
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