Stockhausen’s score was revealed as a masterwork despite a paint-by-number presentation.
Three NSO position players get a solo turn — and a chance to assert different, strong personalities.
This season’s schedule is focused more on the content of the programs than in the past.
Evgeny Kissin’s latest Washington Performing Arts recital is sometimes, but not uniformly brilliant.
The Monteverdi Choir and English Baroque Soloists do Monteverdi proud with a joyful performance
New work offers strong words, clear music and the joined forces of Cantate and Afro Blue.
Soheil Nasseri dealt masterfully with a bad piano in a dinner concert at Strathmore’s new hall/club, AMP.
Vassily Sinaisky leads Rachmaninoff rarity, after a showcase for NSO principal clarinet Loren Kitt.
The Wallace Foundation announces a 52 million dollar initiative to build performing arts audiences. Are the projects it’s funding actually innovative? And should they be?
In naming Deborah Rutter, a classical music administrator, the Kennedy Center may be sending a signal.