Peter Marks

Theater critic


Laura Eason’s romantic comedy honors a world of letters while indulging in a fairy-tale rendezvous.

  • Oct 20, 2014

Will Power’s play details the friendship of Muhammad Ali and Stepin Fetchit.

  • Oct 19, 2014

The Signature Theatre revives a rarely performed musical that is based on a Sinclair Lewis novel.

  • Oct 16, 2014

The New York City Ballet star makes the leap into musicals in the Kennedy Center’s upcoming “Little Dancer.”

  • Oct 16, 2014

Anat Gov’s comedy puts God on the couch.

  • Oct 16, 2014

Mario Correa’s ‘Tail! Spin!’, an exercise in satirical target practice

  • Oct 15, 2014

Thomas Gibbons’s cerebrally challenging play focuses on a near future when manmade beings begin to replace man.

  • Oct 13, 2014

  • Oct 10, 2014

This time around, will theatergoers give a warm embrace to a musical about famous conjoined twins?

  • Oct 10, 2014

  • Oct 5, 2014
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Peter Marks joined the Washington Post as its chief theater critic in 2002. Prior to that he worked for nine years at the New York Times, on the culture, metropolitan and national desks, and spent about four years as its off-Broadway drama critic.
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