- Philip Kennicott
- Critic
Philip Kennicott is the Art and Architecture Critic of The Washington Post. He has been on staff at the Post since 1999, first as Chief Classical Music Critic, then as Culture Critic. In 2011 he combined art and architecture into a beat that is focused on everything visual in the nation’s capital.
At Glenstone exhibit, a fine, light, smart touch
Swiss duo reinvigorates old artistic ideas in a show that is delightful, engaging and often moving.
Ellsworth Kelly, behind enemy lines
The magnificent centerpiece to “Sculpture on the Wall” breaks through the Barnes’s fustiness.
Hirshhorn Bubble: Smithsonian’s shot at creative groundbreaking
If the Smithsonian doesn’t move forward with the Bubble, creative stagnation will be business as usual.
With a new member, Emerson String Quartet is still masterful
At the Smithsonian’s Baird Auditorium, a new cellist fits right in with the austere Emerson quartet.
- Diaghilev and the Ballets Russes: Art review
- Review: Little of substance in PBS’s ‘10 Buildings That Changed America’
- The shifting strategy of preservation: How Civil War battlefields have changed
- ‘Over, Under, Next’ at the Hirshhorn: Art review
- The Corcoran and the University of Maryland: What has happened and what has to happen
- Lecture series at National Gallery of Art seeks to demystify architecture
- Colonial Williamsburg exhibit on painters of the American South
- Boochever Portrait Competition winners
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Going Out Guide
GOG Blog
Another vegan option for D.C. ramen lovers at Taan in Adams Morgan
Taan's creamy, veggie-laden bowl is modeled after traditional pork-bone ramen, but with fresh soy milk offering up the richness.
First look at M.E. Swing coffee bar in Del Ray
The Alexandria shop breathes new life into the historic D.C. roaster, which was founded in 1916.
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