- Sarah Kaufman
- Critic
Sarah Kaufman received the 2010 Pulitzer Prize for Criticism and has been The Washington Post’s dance critic since 1996. But after logging serious sit-time in opera houses, church basements, fairground tents and lawn chairs, what moves her most is seeing grace happen where she least expects it
‘Story/Time’: Bill T. Jones, in his own words
The Bill T. Jones/Arne Zane Dance Company performed Jones’s new work, “Story/Time,” an homage to John Cage.
The Dance of Life: The Concert
High in the rafters and below onstage, stagehands, carpenters and riggers work rhythmically to build thousands of pounds of equipment into a show worth watching.
Mack of Washington Ballet wins gold at International Ballet Competition
Brooklyn Mack shares the senior men’s title with Ukrainian dancer at the venerable event in Bulgaria.
‘Marathon ’33’ in Arlington
The little-known play about the dance marathons that some used as a means of survival during the Great Depression.
- Paris Opera Ballet’s ‘Giselle’ soars at Kennedy Center
- Michael Jackson’s iconic moves are his legacy in Cirque’s ‘Immortal World Tour’
- ‘Giselle’ ends Paris Opera Ballet’s 19-year absence from the Kennedy Center
- Ballet Hispanico at Wolf Trap: Close, but no cigar
- Oman, o man: Scheppelmann to Muscat
- Kennedy Center companies to perform at Royal Opera House Muscat in Oman
- ‘Pina and Beyond’: Goethe-Institut film series explores German modern dance
- ‘Bunheads’: A TV dance show I can love
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