Fred Ebb, who wrote the lyrics for such hit Broadway musicals as "Chicago" and "Cabaret" as well as the big-city anthem "New York, New York," died Sept. 11 at his home in New York after a heart attack.
He was believed to be 76, although Mr. Ebb always was "sweetly vague" about his age, said director Scott Ellis, who worked with him on several shows.
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With composer John Kander, Mr. Ebb wrote the scores for 11 Broadway musicals, many of them for such leading ladies as Gwen Verdon, Chita Rivera, Liza Minnelli and Lauren Bacall. Minnelli was a particular favorite of the songwriting team, and over the years, the duo created special material for the performer's solo appearances on Broadway and on television specials.
Among the other musicals Kander and Mr. Ebb wrote during their four decades of collaboration were "Kiss of the Spider Woman" (1993), "The Rink" (1984), "Woman of the Year" (1981) and "Zorba" (1968).
"New York, New York" was written for the 1977 Martin Scorcese film of the same name, which starred Minnelli and Robert De Niro. The song became a standard, particularly after it was recorded by Frank Sinatra.
Together, the songwriting team won Tony Awards for the scores of "Cabaret," "Woman of the Year" and "Kiss of the Spider Woman." In addition, the 2002 film version of "Chicago," directed by Rob Marshall, won the Academy Award for Best Picture.
Born in New York, Mr. Ebb went to school at New York University as well as Columbia, where he received a master's degree in English literature. The lyricist got his start in the theater writing for revues, one of which, "From A to Z," had a short run on Broadway in 1960.
Mr. Ebb was brought together with Kander in the 1960s by music publisher Tommy Valando, and one of their first collaborations, the song "My Coloring Book," was recorded by Barbra Streisand.
The team was hired by producer Harold Prince and veteran director George Abbott to write the score for "Flora, the Red Menace," starring a 19-year-old Minnelli. The show, which opened on Broadway in 1965, was not a success, but Kander and Mr. Ebb were signed to do Prince's next musical, a show based on Christopher Isherwood's "Berlin Stories" and the play "I Am a Camera."
Called "Cabaret," it opened in November 1966 and ran for 1,165 performances, immediately establishing Kander and Mr. Ebb as musical-theater songwriters to watch. The production, set in pre-World War II Germany, included a huge mirror which reflected back into the audience and featured a sexually provocative master of ceremonies, played by Joel Grey, who taunted and teased the audience in song.
"Cabaret" has been revived twice on Broadway -- in 1987 with Grey reprising his role as the lascivious master of ceremonies, and in 1998 by the Roundabout Theatre Company in an environmentally staged production that ran until early this year.
The revival of "Chicago," which opened on Broadway in 1996, also has outlasted the original. The first production, starring Verdon and Rivera and directed by Fosse, opened on Broadway in 1975 and, despite a two-year run, was overshadowed by another hit show of that year, "A Chorus Line."
But "Chicago," a sardonic, cynical take on murder and mayhem in the 1920s, came into its own with the 1996 revival, which featured Ann Reinking and Bebe Neuwirth. It is still running at the Ambassador Theatre, having recently passed performance number 3,250.
The team's last Broadway collaboration, an original musical called "Steel Pier," had a short run in 1997. They also did a musical version of "The Visit," starring Rivera, at Chicago's Goodman Theatre in 2001, but a New York engagement never materialized.
At the time of Mr. Ebb's death, the team was working on several projects, including revising "Over and Over," a musical version of Thornton Wilder's classic "The Skin of Our Teeth," and a murder-mystery musical called "Curtains."
He leaves no immediate survivors.