On a warm, breezy California morning, the open road through the rolling hills of vineyards was full of delicious possibilities. So why would anyone want to spend even an hour cooped up in a museum?
With two girlfriends, Beth and Alison, I was at the start of a four-day trip to the Northern California wine country, a getaway for busy multi-tasking working moms that had a sybaritic schedule of drinking wine, lying around the pool, drinking wine, having facials, drinking wine and eating alfresco at Napa and Sonoma's hot restaurants. We had spent weeks planning the trip, and each of us had one or two things we wanted to include. We are a generally agreeable threesome, so there was no visible dissension when I mentioned starting at the two-year-old cultural museum and education center called Copia: The American Center for Wine, Food & the Arts.
Visitors to Copia can tour the garden, above, before heading inside to view the many exhibits celebrating food and wine.
On the Olive Trail From Tuscany to Provence (The Washington Post, Oct 24, 2003)
Vietnam, From Market to Kitchen (The Washington Post, Oct 24, 2003)
Wine First, Business Later (The Washington Post, Oct 24, 2003)
Never a Hungry Moment: Best of the Fests (The Washington Post, Oct 24, 2003)
Cooking Tours: An Appetite To Learn (The Washington Post, Oct 24, 2003)
Vineyards: How, When and Where (The Washington Post, Oct 24, 2003)
In the Italian Hills, Creating Intense Flavor (The Washington Post, Oct 24, 2003)
Subtle to Spicy: A World of Olive Oil (The Washington Post, Oct 24, 2003)
From a French Village, an Elite Oil Emerges (The Washington Post, Oct 24, 2003)
Oil and Vinegar, Yes. Side of Beef, No. (The Washington Post, Oct 24, 2003)
After all, you can only take so many vineyard tours and aromatherapy baths.
The $55 million Copia project, spearheaded by uber-vintner Robert Mondavi, is a nonprofit center on 12 acres along the Napa River, a place to explore America's contribution to the culture of food and wine. Copia, named after the goddess of abundance (think cornucopia), is housed in a soaring 80,000-square-foot building of polished concrete, river rock and glass designed by Polshek Partnership Architects.
Copia showcases the role of food and wine in daily life, in history, even in the movies and TV. Each day, a menu of programs is made available to visitors. You might stumble into a tasting of Zinfandels, a display of Georgian silver, a mustard celebration, an exhibit of lunchboxes, a class on Oaxacan cuisine or an eggplant extravaganza. And it's definitely not just for food snobs: you can learn the history of Pez candy or the origin of Jell-O. The facility has galleries, theaters, classrooms, organic gardens, libraries, tasting tables, apricot orchards, an outdoor concert terrace, plus a charming dining spot named after Julia Child. And the gift shop is fab.
But while I was relishing several hours wandering through Copia, I had no idea that one of us was secretly stewing about spending the good part of a gorgeous day locked in a museum.
"I was dreading it," Beth confessed later. "I thought it would be institutional and commercial and I'd be bored out of my gourd, no pun intended. When we pulled into the parking lot, I could hardly wait to get it over with."
But Beth, a savvy consumer who knows a Riesling from a Gewurztraminer, quickly came around .
The first exhibit looked and smelled good enough to eat. A tableau of yellow, red and orange tomatoes, still warm from the California sun, was arranged on a table with ID cards -- as if it was a display of precious ancient relics. (We visited in late July. This time of year, you might be greeted by displays of chiles, pumpkins, winter squash and potatoes.)
We had allotted about four hours for our visit. The daily program menu listed the tours, lectures, exhibitions and demonstrations that were included with the $12.50 day pass; most programs require no reservations and are filled on a first-come, first-served basis. The list also includes events that require an additional fee, such as workshops, food and wine tastings, book signings. (Telephone or visit the Web site for the calendar; you may want to make a reservation.)