washingtonpost.com

Reeve's Return Engagement

By Paula Span
Washington Post Staff Writer
Tuesday, October 17, 1995; Page C01

NEW YORK, OCT. 16 -- Weeks ago, said the members of the Creative Coalition filing into their annual benefit at the Pierre Hotel tonight, Co-President Christopher Reeve had said he wanted to be here to present the awards to the honorees as usual.

"Chris was always determined to be here if he could," said former president Ron Silver, recalling Reeve's presence at the organization's very first meeting in 1989. But, of course, Reeve suffered severe spinal injuries at an equestrian competition last spring.

That didn't stop him from being transported by van to tonight's event.

"He has good days and bad days," said Silver, who has visited Reeve at the rehabilitative hospital in New Jersey where he's a patient. "But he doesn't recognize limits or constraints."

In fact, said Creative Coalition Co-President Blair Brown, Reeve continued to pay careful attention to the group, which harnesses the star power of actors and actresses to spotlight issues from gun control to reproductive rights. "The first time I went to visit him we were talking about the issues we were involved with," Brown said. "He was very annoyed at an Op-Ed piece in the New York Times."

The coalition's $1,000-a-head benefit always draws a high-wattage crowd. Board members William Baldwin and Stephen Collins sparked massive flashbulb attacks along with Stockard Channing, Katie Couric, Phil Donahue and Marlo Thomas, Carly Simon, Susan Sarandon and Tim Robbins, National Endowment for the Arts Chairman Jane Alexander, Barbara Walters and the somewhat less glamorous Rudy Giuliani, mayor of New York City. Not to mention the somewhat upstaged honorees Robin Williams and Geraldine Laybourne, president of Nickelodeon.

But some of the guests had come specifically to cheer on Reeve. "I'm here for Chris," said his friend Kevin Spacey ("The Usual Suspects"), who's not a coalition member.

"I shouldn't be here at all," croaked a hoarse Blythe Danner, who opens this week in Harold Pinter's "Moonlight." But Reeve once played her younger brother in a play at the Williamstown (Mass.) Theater, she explained.

Sometime back, "I called him up and said, We're opening a new recycling center; could you come?' and he came, and of course the kids all went crazy. He's always been an amazingly giving person."

Finally, after the cocktail hour, the dinner and the strawberry shortcake, Reeve was introduced by Sarandon, who met him years ago at an audition for "Picnic" and who praised his "courage, dignity and grace."

There was a prolonged standing ovation as he was rolled onto the stage in his wheelchair with its attached battery-powered ventilator. He wore an elegant tuxedo. He nodded and smiled and then told a joke.

"I'll let you in on the secret reason I'm here tonight," he said, recalling his high school English teacher who told a student who'd missed a class because of illness: "The only excuse is a quadruple amputation, but then they could still bring you in in a basket." There was a slight gasp from the crowd. "So I thought I'd better show up," Reeve said.

He thanked his wife and various audience members, including the board members of the Creative Coalition: "It's obvious they've been doing brilliantly without me."

"No!" cried a woman's voice from the darkened ballroom.

Then, speaking quite smoothly, he recalled his years at the Juilliard School with classmate Robin Williams, both of them "trying to be classical actors -- ha ha. . . . Thank God they didn't straighten him out.

"When the chips were down and my life was hanging in the balance . . . I looked over from the bed where I was hanging upside down, and there was this guy wearing a blue scrub hat with a yellow gown and an insane Russian accent . . . and I laughed for the first time and I knew life was going to be okay."

"Hello, bro," said Williams, accepting the award for his work with the Comic Relief organization. "Yes, I did show up as a Russian proctologist. The results were good."

Williams praised Reeve's work with the Creative Coalition. "You know, I'm basically the designated idiot, but this man is informed. . . . He is like a laser."

Williams's routine managed to excoriate various governmental and other figures ("they consider tobacco a vegetable for the school lunch program"), but it also veered dangerously close to sentimentality. "We did it, bro: We kicked," he concluded.

And then, in case anybody was getting damp-eyed, he added, "You're on a roll, literally."


© 1995 The Washington Post Company