The Artist Who Manufactured Dawn: Spencer Finch Bridges Science And Subjectivity (Post, April 10, 2005)

Caravaggio: More Shock Than Awe (Post, April 3, 2005)

In London, Sloppy Chic: 'Futures' Explores Art's Leading -- or Just Ragged -- Edge (Post, March 27, 2005)

Face Value: National Gallery's Riveting Portrait Of Gilbert Stuart (Post, March 26, 2005)

The Everyday, Turned on Edge: John Lehr's Unusual Way Of Looking at Signs Carries The 48th Corcoran Biennial (Post, March 19, 2005)

'SlideShow,' Projecting a Surprising Artistic Depth (Post, March 13, 2005)

A Sculptor Who Keeps Reinventing His Form (Post, March 6, 2005)

Go East, Young Woman!: Japan Called to Iona Rozeal Brown And She Answered (Post, Feb. 27, 2005)

Modigliani, Giving Tradition the Brush: Artist Was Informed, Not Hemmed In, by the Past (Post, Feb. 27, 2005)

The Essence of Rubens: Old Master's Drawings Are an Undiluted Pleasure (Post, Feb. 19, 2005)

Ian Whitmore, Having His Cake & Eating It, Too (Post, Feb. 15, 2005)

Christo's Gates: A Little Creaky (Post, Feb. 13, 2005)

Deft Benefits: Isamu Noguchi Played It Safe, but His Touch Was Sure (Post, Feb. 13, 2005)

Toulouse-Lautrec Posters, on the Bill (Post, Feb. 6, 2005)

Turning a Prophet: With His Religious Paintings, Rembrandt Foresaw the Value of Branding (Post, Jan. 30, 2005)

Berthe Morisot, Who Manned The Canvas (Post, Jan. 16, 2005)

A Very Full Week: At the National Gallery, Five Days of Permanent Pleasure (Post, Dec. 27, 2004)

Masters, Old and New: From Ter Borch to Flavin, Shows Shed Revealing Light (Post, Dec. 26, 2004)

Stepping Out of Character and Into His Art (Post, Dec. 11, 2004)

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