| Page 2 of 2 < |
Jazz Bassist Keter Betts Dies at 77
Keter Betts was "on the top plateau of all the bass players," a fellow musician said.
(By Marvin Joseph -- The Washington Post)
Discussion Policy
Comments that include profanity or personal attacks or other inappropriate comments or material will be removed from the site. Additionally, entries that are unsigned or contain "signatures" by someone other than the actual author will be removed. Finally, we will take steps to block users who violate any of our posting standards, terms of use or privacy policies or any other policies governing this site. Please review the full rules governing commentaries and discussions. You are fully responsible for the content that you post.
|
She figured that if her fury did not dissuade him, he must be serious. She arranged for drum lessons.
His switch to the bass came one day in 1946, his senior year in high school. He went to New York to see Cab Calloway's big band and meet the drummer. When bassist Milt Hinton appeared at the stage door, he told the teenager that the drummer was gone but that he would spring for a 35-cent lunch. He also talked up the bass.
Ultimately, Hinton's words were not as persuasive to Mr. Betts as the fact that carrying a drum set up four flights of stairs to his mother's apartment was excruciating.
Almost from the start, Mr. Betts's professional career brought him to Washington. New York area saxophonist Carmen Leggio invited Mr. Betts to play with his band at a club near the Howard Theatre in 1947.
In 1949, while Mr. Betts was playing at Washington's Club Bali, R&B bandleader Earl Bostic heard and hired him. He made his recording debut that year on Bostic's rendition of "Wrap Your Troubles in Dreams."
"I didn't want to play R&B," Mr. Betts said. "But it was a good chance to go on the road and see the country."
He met Dinah Washington in 1951, when she and pianist Wynton Kelly were doing a one-nighter with Bostic's band. The singer offered Mr. Betts a job, and he spent five years with the notorious Queen of the Blues and cut several classic records, including "Dinah Jams" (1954) and "Dinah!" (1956).
Her gruff exterior was "for the people," Mr. Betts said. "She was a different person inside." She paid for Mr. Betts's wedding reception in 1953 at Birdland in New York; Tito Puente provided the music.
Washington taught Mr. Betts a secret to good musicianship: Learn the lyrics. She said the best musicians know the entire song, not just the chord changes.
"There's an art to playing behind the singer," he said later. "When the singer comes onstage, they're buck naked. And it's the job of the group backing her up to dress that person for the audience."
He met Fitzgerald through his golfing partner, bassist Ray Brown, the singer's ex-husband and business manager. Mr. Betts played with Fitzgerald in the mid-1960s and again from 1971 to 1993, often doing weeks of one-nighters around the world.
Meanwhile, he played at the Kennedy Center and on jazz cruises. He also stayed active in musical education through Head Start, among other programs. At the Wolf Trap Institute for Early Learning Through the Arts, he often amazed the kindergarten set by taking "Happy Birthday" and covering it in different styles: classical, Brazilian, country and western, rock and jazz.
In 1994, he was inducted into the Washington Area Music Association's Hall of Fame.
He emerged as a bandleader with a flurry of recent CDs and composed a handful of songs, notably the sweet and tender "Pinky's Waltz," in memory of his wife, Mildred Grady Betts, who died in 2000.
Survivors include five children, William Betts Jr. of Washington, Jon Betts of Olney, Derek Betts of Los Angeles and Jacquelyn Betts and Jennifer Betts, both of Silver Spring; and four grandchildren.




![[Campaign Finance]](http://media.washingtonpost.com/wp-dyn/content//graphic/2007/10/01/GR2007100100821.gif)
