Oskar Fischinger, Fast on the Draw

Oskar Fischinger's 1934
Oskar Fischinger's 1934 "Square" at the Goethe-Institut. (Jack Rutberg Fine Arts, Los Angeles)
Discussion Policy
Comments that include profanity or personal attacks or other inappropriate comments or material will be removed from the site. Additionally, entries that are unsigned or contain "signatures" by someone other than the actual author will be removed. Finally, we will take steps to block users who violate any of our posting standards, terms of use or privacy policies or any other policies governing this site. Please review the full rules governing commentaries and discussions. You are fully responsible for the content that you post.
Thursday, September 15, 2005

· Those mourning the recent closing of "Visual Music," the Hirshhorn's ambitious if flawed exploration of music in visual art, can indulge their lust for synesthesia with this mini-survey of one of the exhibition's featured artists, the German Oskar Fischinger. He died in 1967, leaving behind a considerable cache of experimental films and plenty of two-dimensional abstract works. The group at Goethe includes paintings, gouaches and drawings from the 1930s through the '60s. The canvas "Outward Movement," from 1948, with its grid-incised squares repeated ad infinitum, looks like a distant cousin of Muybridge's early photographic experiments in motion. Still, despite their concern with movement, Fischinger's paintings remain surprisingly static.

"Oskar Fischinger -- Motion Paintings" at the Goethe-Institut Washington, 812 Seventh St. NW, Monday-Thursday 9 a.m.- 5 p.m., Friday 9 a.m.-3 p.m., 202-289-1200, to Oct. 26.



© 2005 The Washington Post Company