Time's Slow Passage, Over and Over Again
Bruce McKaig's "Executive Director," a 90-minute exposure.
(District Of Columbia Arts Center)
Discussion Policy
Comments that include profanity or personal attacks or other inappropriate comments or material will be removed from the site. Additionally, entries that are unsigned or contain "signatures" by someone other than the actual author will be removed. Finally, we will take steps to block users who violate any of our posting standards, terms of use or privacy policies or any other policies governing this site. Please review the full rules governing commentaries and discussions. You are fully responsible for the content that you post.
|
· Time, dissected. Washington photographer Bruce McKaig hangs extended- exposure pinhole camera prints alongside grids of digital stills the size of postage stamps, all documenting the same scene over several hours. His works describe both the places he documents -- in this case, everyday workplaces -- and the passage of time. Neither proves particularly compelling. Extended pinhole exposures that render passing figures as apparitions offer mild interest, while digital stills chronicling office workers at their desks seem like portraits of monotony.
Bruce McKaig at District of Columbia Arts Center, 2438 18th St. NW, Wednesday-Sunday 2-7 p.m., to Feb. 26. Call 202-462-7099 or visithttp:/


