| Page 2 of 3 < > |
Poet's Choice
|
Discussion Policy
Comments that include profanity or personal attacks or other inappropriate comments or material will be removed from the site. Additionally, entries that are unsigned or contain "signatures" by someone other than the actual author will be removed. Finally, we will take steps to block users who violate any of our posting standards, terms of use or privacy policies or any other policies governing this site. Please review the full rules governing commentaries and discussions. You are fully responsible for the content that you post.
|
While each brave Greek embrac'd his Punk,
Lull'd her asleep, and then grew drunk.
Heroism reaches upward, ambitiously, toward being less like mere humans and a little more like gods; hedonism looks downward, desirously, toward animal satisfaction. Wilmot's poem takes the form of a mordant, funny debunking of Homer's noble Greeks and Romans. What's superhuman is Wilmot's cynicism, doled generously to husbands and wives, Greeks and Trojans, victors and vanquished.
In a very different key, American poet J.D. McClatchy also ponders the comic and the heroic, high aspirations and base desires, wants and lacks, all stirred together:
The News
By seven the old women were leaving
the cathedral's side door, behind them
Christ in a fringed paisley loincloth
and the flaring spray of gold and silver
votive hearts, hundreds of them,
like drops of blood shaken from his face,
and a handful of men were clustered
around the zocalo's only newsstand




