Quick Spin

Quick Spin

Rihanna is more than a Beyonce knockoff.
Rihanna is more than a Beyonce knockoff. (Def Jam)

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Wednesday, April 26, 2006

A GIRL LIKE ME

Rihanna

On the surface, Rihanna looks like another case of Post-Beyonce Songstress Syndrome: the trilly soprano, the showy melisma and the cluster-tone harmonies so favored by today's R&B divas, all evoking the long and curvy shadow of their paragon.

But give a listen to "A Girl Like Me," Rihanna's sophomore album, and it's clear she knows more than just the Knowles-isms.

The 18-year-old chanteuse from Barbados has an even harder act to follow: herself. You couldn't ask for a more auspicious debut than 2005's "Pon De Replay," a club-rocking jam that practically screamed "one-hit wonder."

But Rihanna and her producers -- among them her paragon's paramour, Jay-Z -- do some very smart things on this album, not the least of which is the first single, "S.O.S.," a "why-didn't-I-think-of-that" sampled remake of Soft Cell's "Tainted Love."

Sophomore slump avoided, Rihanna actually digs into some ambitious pop ballads: "Unfaithful," an honest account of dishonesty; "A Million Miles Away," tailor-made for mangling by future American Idols; and "Final Goodbye," a dramatic Celtic-tinged lullaby that makes you think this girl could actually be something.

Of course, there are the requisite trips to the dancehall to showcase her Caribbean heritage: "Crazy Little Thing Called Love" and "Break It Off," where she trades verses with Sean Paul. The album is rounded out by some solid hip-hop-influenced songs, such as the lightly crunked "We Ride."

As it turns out, Rihanna ends up having a much broader musical palette than the wannabe-yonces.

DOWNLOAD THESE: "Final Goodbye," "We Ride"

-- Dan Charnas


© 2006 The Washington Post Company

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