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Crunchy Culture
Rod Dreher, with sons Matthew and Lucas in their Dallas home, has written a manifesto for granola-eating conservatives who want to save the planet.
(Courtney Perry for The Washington Post)
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Do you shop organic, live closer in, recycle, hike 'n' bike -- yet oppose things such as abortion and gay marriage, on deeply held, faith-based principles? Did your pastor lose you as soon as he donned low-rise jeans and started getting all Dr. Phil and self-love on the congregation, via his Kelly Clarkson microphone headset? Do you sit in your Chevy Meanderthal, with Dan Zanes on the stereo to lull the toddlers, and really, really wonder WWJD?
Crunchiness, and its potential to both irk and challenge the Republican Party, has become Rod Dreher's central preoccupation: In the summer of 2002 -- not long after he'd discovered that Birkenstock sandals make his achin' dogs feel better and that the stuff from the co-op tastes even better than the No. 2 combo at his beloved Sonic Drive-In -- Dreher wrote a brief essay for National Review's Web site, which grew into a 3,000-word manifesto for the magazine.
"We made fun of our liberal friends," he originally wrote of his newfound love for organic food, "until we actually tasted the vegetables they got from the farm. We're converts now, and since you asked, I don't remember being told when I signed up for the GOP that henceforth, I was required to refuse broccoli that tastes like broccoli because rustic socialist composters think eating it is a good idea."
The essay ran, and though his right-wing friends mostly hated it, he got more positive responses from readers than for anything he'd ever written, all on a variation of "Me, too."
A broader manifesto began to take shape. Crunchy Cons prefer smaller houses, older things, the musty truth of Scripture. "Culture is more important than politics and economics" is a bullet-point, as is "Beauty is more important than efficiency. . . . Small, Local, Old and Particular are almost always better than Big, Global, New and Abstract." Meanwhile, "The relentlessness of media-driven pop culture deadens our senses to authentic truth, beauty and wisdom."
The Dreher family likes its comfy, Ikea living-room sofa and nights spent reading. It's about front porches, not Porsches. They like jazz on (yechh) public radio. They are committed to saving the planet. They closely scrutinize what their kids watch and read, and Dreher brags that his sons routinely ask to hear his old college-radio faves on the stereo, the good stuff -- U2 and XTC. What might strike you as sort of post-hippie strikes them, paradoxically, as intrinsically conservative. It's God, family and Elvis Costello. And speaking of kooky old GOP furnishings, they like Peggy Noonan, too. (And she likes them; she's a godmother to their youngest child.)
Before Texas, Rod and Julie Dreher made a really good stab at being Brooklynites. He was a film critic and later columnist at the New York Post. Dreher says he was always the most conservative person at cocktail parties in Manhattan, "unless someone named Podhoretz was in the room."
Since "Crunchy Cons" was published earlier this year (it has gone back for two additional printings, according to a publicist at Crown publishers), Dreher has also taken a drubbing from his punditry cohort, including National Review's Jonah Goldberg, who views "Crunchy Con" as heretical to the "big tent" ideals of the one true Republican faith. Goldberg bites at "Crunchy Con" with occasional essays and blog entries of his own.
"To Rod's credit, he doesn't claim that 'mainstream conservatives' are racists; but he does claim that they are uptight, blue-blazered, two-dimensional men motivated by greed. They are Godless materialists, unthinking dupes of Madison Avenue, with no connection to spirituality or religion unless, that is, you think being an idolatrous votary of the free market counts as being religious," Goldberg wrote in March.
"Crunchy conservatism strikes me now -- as it did back when I first heard about it -- as a journalistic invention, a confabulation fit for some snarking liberal reporter at the Washington Post 'Style' section."
Breaking Bread
Ding-dong, we're here, a smidge late.
Forgot to bring wine, and we are perfectly okay with the idea that most people don't give the tiniest, insignificant poops about what Jonah Goldberg thinks.


