A Progressive Top Five
Tuesday, May 30, 2006; 12:00 AM
WASHINGTON -- If "American Idol" didn't completely satisfy your appetite for gimmickry, you might consider turning to National Review. A recent issue offers its handy list of the top 50 conservative rock songs of all time.
The list is intended to be provocative because rock is often considered a focal point of progressive sentiments. What I found far more striking, however, was the relative whiteness of the artists. Exactly when did rock 'n' roll, once the province of Fats Domino, Chuck Berry and Little Richard, become so white? The only black band listed is Living Colour, whose "Cult of Personality" is less a praise song to conservatism than a blast at egotistical leadership of any political stripe.
The National Review list suggests that blacks have become little more than a footnote to a cultural phenomenon they are largely responsible for creating -- or, more plausibly, that black conservatives rarely express themselves via rock songwriting.
It also exposes the irony in a term with such bawdy roots being used to identify so-called conservative values. In his memoir, "Only the Strong Survive," the great soul singer Jerry Butler wryly commented on white deejay Alan Freed's legendary borrowing of "rock 'n' roll" from black slang. "From the time I was a little guy, I knew that rockin' and rollin' was euphemism for sexual intercourse. Thus I looked on in amusement when the phrase turned up in the American lexicon as something respectable," he wrote.
Rather than dispute the alleged conservativeness of National Review's nominated songs, I offer a handful of progressive alternatives. My choices logically descend from the protest songs of the 1960s, in which artist-activists such as the SNCC Freedom Singers revised spirituals and gospel songs to eloquently address the tenor of the times.
My limited space requires I limit my recommendations to five instead of 50, and I present the titles in alphabetical order.
-- "A Change Is Gonna Come" by Sam Cooke.
This timeless ballad blends a plaintive bluesy feel with a stalwart optimism. The combination is delivered perfectly by Cooke's golden voice, which manages to console and inspire. When Martin Luther King Jr. was killed, Rosa Parks found solace by listening to this song. She described Cooke's singing as "medicine to the soul. It was as if Dr. King was speaking directly to me."
-- "Mississippi Goddam" by Nina Simone.
They try to say it's a communist plot