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My Unwitting Role in the Rove 'Scoop'
When he was done, I asked: "How would Corallo have gotten my phone number, one digit off?"
"Joe, I would never, ever have done something like that," Leopold said defiantly.
Except that he has done things like that. His memoir is full of examples. He did break big stories, but he lied to get many of them. He admits lying to the lawyers for Enron executives Jeffrey Skilling and Andrew Fastow, making up stories to get them to spill more beans. "I was hoping to get both sides so paranoid that one was going to implicate the other," he wrote.
I don't really know why Leopold may have pretended to be me to Corallo. I can only speculate that he either was trying to get a reaction and thought Corallo would be more likely to respond to a conservative-leaning mainstream paper, or he was trying to get Corallo to acknowledge that Rove had been indicted by bluffing that the Sunday Times had confirmed the story. In fact, Corallo told me that "Joel" told him that he had Fitzgerald's spokesman on the record about the indictment. He has also said he believes Leopold made up the whole story.
Leopold still stubbornly stands by the story, claiming that something happened behind the scenes to overturn the indictment. Marc Ash, Truthout's executive director, said last week that his site will "defer to the nation's leading publications" on the Rove story, but he declared his continuing faith in Leopold.
We may never know what really happened. Most mainstream news organizations have dismissed the Leopold story as egregiously wrong. But even if he had gotten it right and scooped the world on a major story, his methods would still raise a huge question: What value does journalism have if it exposes unethical behavior unethically? Leopold seems to assume, as does much of the public, that all journalists practice deception to land a story. But that's not true. I know dozens of reporters, but Leopold is only the second one I've known (the first did it privately) to admit to doing something illegal or unethical on the job.
After reading his memoir -- and watching other journalists, such as Jayson Blair at the New York Times and Jack Kelley at USA Today, crash and burn for making up stories or breaking other rules of newsgathering -- I think there's something else at play here. Leopold is in too many ways a man of his times. These days it is about the reporter, not the story; the actor, not the play; the athlete, not the game. Leopold is a product of a narcissistic culture that has not stopped at journalism's door, a culture facilitated and expanded by the Internet.
In the end, whatever Jason Leopold's future, he got what he appears to be crying out for: attention.
Joe Lauria is a New York-based freelance writer
whose work appears in the Boston Globe, the
Sunday Times of London and other publications.