Papyrus, Parchment & Posterity
Sunday, September 10, 2006
Most of us take the form of the book for granted: A collection of sheets with writing on both sides bound along one side.
The story of how that form -- the codex -- became synonymous with the idea of a book is one of the threads that runs through one of the most unusual exhibitions coming to Washington this fall.
The show, which opens in October at the Smithsonian's Arthur M. Sackler Gallery, brings together scrolls, scraps of papyrus, bits of parchment and other curiosities, including a copy of the Gospels written in silver ink on purple parchment.
The various manuscripts -- including some of the rarest in the world -- are being displayed in an effort to trace the evolution of the Bible from a loose collection of texts into a codified volume.
"In the Beginning: Bibles Before the Year 1000" argues that when early Christian communities adopted the papyrus codex as the form of their Scriptures, it was "the most dramatic development in the history of the book."
The exhibit will also show how the various writings circulating in the first thousand years of the Christian era became encased in the form we know today as the Bible.
The show starts with a 1st-century scroll containing a text of Isaiah 2. There are many other papyrus and parchment fragments that are part of the evolution of the Bible.
The Sackler borrowed items from two dozen institutions around the world. Most of the manuscripts have never been seen outside the countries where they are stored. Even six manuscripts purchased in 1906 by Charles Lang Freer and given to the Smithsonian Institution are usually kept in storage vaults because of their fragile state. Two have never been exhibited and two have not been shown since 1978.
Freer's "Codex Washingtonensis" are Greek versions of portions of the Old Testament dating to the 4th or 5th centuries. Freer also gave the museum what is known as the Washington Manuscript of the Gospels, a 4th- or early 5th-century codex -- the third oldest parchment manuscripts of the Gospels -- which is enclosed in painted wooden covers made in the 7th century. All that will be on display.
"They are almost never seen," said Julian Raby, director of the Sackler.
The Sackler's principal partner in arranging the exhibition is the Bodleian Library, the main research library at Oxford University, which lent 11 artifacts. Among them is a 3rd-century fragment of an unbound papyrus folio of the Gospel of St. Thomas, a disputed early Christian text. Raby, an expert on Islamic art and former member of the Oxford faculty, knew the Bodleian's holdings could be the foundation for a survey of how the Bible evolved. One piece contains the notes the Venerable Bede, a 7th-century monk who lived in Britain, made as he was reading the Proverbs.
The British Library is also lending 11 works, including two leaves from the 7th- or 8th-century Ceolfrith Bible, believed to be the oldest complete Latin Bible in one volume. The library is sending the Harley Gospels, one of the earliest known manuscripts of the Gospels written in Latin, believed to be from the late 6th century.