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'Dexter': He'd Kill to Solve This Case

Michael C. Hall in his latest undertaking, Showtime's
Michael C. Hall in his latest undertaking, Showtime's "Dexter," in which he plays a psychopathic investigator all too willing to fight fire with fire. (By Dan Littlejohn)
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It's clearly an uphill battle. As Dexter puts it: "The willful taking of life represents the ultimate disconnect from humanity."

There's beauty to be found in even the most gruesome scenes. In tomorrow night's premiere, Dexter oversees a crime scene as if it's an art exhibition, using red string to illustrate the trajectory of blood in an all-white living room. Dexter acts like a curator, breathlessly explaining to a colleague how the homicide went down.

At times it can be graphic, but there's nothing here you wouldn't see on a "sweeps" episode of CBS's "CSI," which makes sense. "Dexter" is the latest series on the Showtime lineup developed under the control of CBS President Les Moonves, who's company took Showtime under its wing last year. Moonves recently criticized Showtime as "a little too much of an off-Broadway play" and said he wanted the network to become more commercial.

At times, the series falls into the trap of being just another procedural crime drama. The second episode introduces a plotline dealing with a crime boss suspected of killing a cop and his wife. One of the detectives approaches the mobster at his daughter's confirmation and makes a scene -- something done decades ago on "Miami Vice."

But the dominating story line, which looks to last the entire season, is mesmerizing. Dexter is on the trail of a serial killer who has a very unique way of disposing of his victims (let's just say no blood is involved and refrigeration is needed). The twist is that this villain knows that Dexter is after him and leaves him little trinkets, like severed fingertips.

After finding one such souvenir in his own freezer, Dexter says: "I think this is a friendly message like, 'Hey, wanna play?' And, yes, I do. I really do."

Thanks to Hall's performance, so do we.

'The Game'

"The Game," the CW's new sitcom, offers a potentially rich-for-riffing concept about the wives and girlfriends of professional football players (and one that's found success on BBC America's "Footballers' Wives").

But any potential is quickly fumbled in the premiere's first scene, when Melanie (series star Tia Mowry) overhears a conversation her boyfriend, the rookie Derwin (Pooch Hall), is having with his gorgeous image consultant in another room. (Derwin: "That tickles." Gorgeous image consultant: "Derwin, that feels good." From there, it only gets more suggestive.)

Of course, the duo was only talking about Derwin's new suit. But this is an ancient gag straight outta "Three's Company."

When writers need to trot out this old bit at the very top of the show, there's trouble ahead and, sure enough, the rest of the sitcom proceeds virtually laugh-free.

Mowry, who for six years starred with her twin sister on the WB's "Sister, Sister," is likable in the lead role of the girlfriend who sacrifices a lot as her man ascends to sports stardom. (The series is a spinoff from an episode of the show "Girlfriends" that aired last season).

A series about the travails of these women could be enlightening, but all we get in the premiere is a collection of bad jokes about sports groupies -- here, more often called "hoochies" -- who threaten to interfere with their love lives.

Washingtonians might pick up one laugh, however, unintentional as it may be. One scene features the team quarterback taking a meeting with a sleazy agent who promises him the sky riches. The agent is a dead ringer for Redskins owner Dan Snyder.

Dexter (one hour) premieres tomorrow night at 10 on Showtime. The Game (30 minutes) premieres tomorrow night at 8:30 on Channel 50.


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