Fleshing Out a Founding Father
Tuesday, October 24, 2006
A decade ago, the people who run Mount Vernon noticed many of their visitors knew little more about George Washington than that he was the country's first president.
Beginning Friday, visitors there will be able to learn much more about him in two new buildings. On their way to the historic mansion, they'll pass through an orientation center where they will get history about Washington and his home (one short film is narrated by game show host Pat Sajak). And on their way out, they will pass through an extensive museum and education center.
The new exhibits include a $5 million movie about Washington's military career, a list of his slaves and the will in which he freed them, the shoe buckles he wore to his inauguration, the family Bible, a look at his early career as a surveyor, his bloody defeats during the French and Indian War, interactive maps showing Revolutionary War battles, a copy of Martha Washington's gold wedding dress, Washington's ivory dentures, a reproduction of his coffin and three re-creations by forensic scientists showing what Washington probably looked like at ages 19, 45 and 57.
Both new buildings are mostly underground so as to not detract from the mansion. And the exhibition hall, which includes the museum and education center, will have historically correct Hogg Island sheep grazing on the ground that covers it.
In the past, Mount Vernon concentrated on Washington's life on the plantation, his family, his slaves. The new exhibits flesh out other facets -- politics, two wars, his days as a spymaster, his role in the making of the Constitution and even his excruciating dental history.
In addition to the artifacts, dioramas and tableaux, a great deal of Washington's story is told through 14 films commissioned by Mount Vernon. A $5 million, 18-minute video, "We Fight to Be Free," produced by Greystone Films, portrays a heroic Washington in reenactments of the French and Indian War and the night crossing of the Delaware River during the Revolutionary War. To humanize him, another film shows Washington flirting with the widow Martha Dandridge Custis, whom he later married. That film, produced by the History Channel and narrated by actress Glenn Close, chronicles Washington's 40-year marriage.
Twenty new galleries feature traditional museum fare, sculpture, paintings and a number of swords. In one gallery, which will be kept cooler than the others, visitors can study a re-creation of a soldiers' hut at Valley Forge, Pa. It focuses on the brutal conditions that Washington and his soldiers endured during the winter of 1777-1778, with the temperature some days hovering at 6 degrees. The starving soldiers look like skeletons. The "snow" has bloody footprints. Beneath a navy wool blanket in the hut, a sleeping soldier's chest rises and falls. Then he moans and coughs. Nearby, a model of Washington, the commander of the Continental Army, sits on his horse Blueskin. Though historians tell us he, too, was dispirited by the predicament, he manages to project determination in trying to rally his troops.
James C. Rees, executive director of the estate, says Mount Vernon now draws a million visitors a year -- about as many as the building's worn wooden floors can stand, and even with the temporary closing of the National Museum of American History on the Mall, he doesn't want too many history buffs to visit at the same time.
Mount Vernon's new look is not intended to draw more visitors. The new attractions, Rees says, "help us spread out the visitors." He hopes people will stay longer, learn more and want to come back.
In the past, a typical visitor spent 2 1/2 hours at Mount Vernon. Now, that could double.
The administrators of Mount Vernon raised $112 million in private funds for the new look. Just under $60 million was spent for the orientation center and the museum and education wing. Both were designed by the Baltimore firm GWWO Inc./Architects.
Many of the new videos and exhibits were designed to meet what Mount Vernon guides consider the ultimate test: holding the attention of an eighth-grade boy.