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Zwack's Quilts: Soft Medium, Hard Subject

By Rachel Beckman
Washington Post Staff Writer
Thursday, January 25, 2007

Annemarie Zwack was a painter. Oil on canvas felt like a dignified medium, something her friends and family could understand. But a few years ago she started feeling drawn to fabric arts. Down-home, crafty things like quilting.

She tried to repress the urge. She mentioned it to her husband, Rusty Keeler, but he didn't realize the extent of the attraction until he caught her in the act.

"I remember coming home one day and seeing her with a box of fabric spilled all over the dining room and she was sitting in the middle of it," Keeler says. "She was just kind of celebrating fabric and all the textures and colors and patterns."

Zwack, 32, a Fairfax native who now lives near Ithaca, N.Y., surrendered to temptation and switched media. A show of her quilts hangs at the D.C. restaurant Busboys and Poets. But don't expect floral borders and butterflies: Zwack has created a series of antiwar quilts.

A two-panel quilt called "Standard of Us" depicts tanks rolling over dead bodies and naked prisoners with nooses around their necks. In the quilt "Witness," two wide-eyed figures stand in front of the burning remains of an Iraqi city.

Not the most cuddly subject matter.

"I like the contrast of working in a soft medium to talk about war and bloodshed and things that aren't soft," she says. "In some ways, I think it makes it more accessible."

"Witness" is the closest in size and shape to a traditional quilt. Three of the others are in the shape of Iraq and one is only 14 by 13 inches. They aren't sewn patchwork-style, either. Zwack paints large sheets of cotton, then sews them together into a quilt.

Ancient works of Mesopotamian art inspired her protest quilts. Images of lions on the quilt "The Nature of Empire" are based on stone carvings found on a king's palace wall in northern Iraq.

Zwack says she chose that image, and others, as a reminder of the history of the region and to convey a sense of mourning for the destruction of the land and the people. The name of the show is "Where the Wheel Was Born." She took a class on the history of the Near East at Cornell University in preparation for creating the quilts.

Zwack comes from a socially conscious family. Her sister is a union-side labor lawyer in Washington. Her parents, a former priest and a nun, worked as missionaries in east Africa.

Zwack and Keeler practice what they call "intentional living." They try to grow their own food, or at least know the farmers who grew it. In 2001, Zwack ran for the Ithaca Common Council as a Green Party candidate (she lost, but got 41 percent of the vote).

In a different era, they would have been called hippies. Zwack has also made quilts of left-leaning heroes Michael Moore, the filmmaker, and Julia "Butterfly" Hill, the woman who lived in a redwood tree for two years to save it from loggers.

"Of all the people I know, she is probably the truest to her beliefs," Brenda Zwack says of her sister. "She's willing to do what her heart tells her to do rather than what the world is telling her to do."

In October, Zwack brought a trunk show of her quilts to Cafe Saint-Ex on 14th Street NW. Brenda Zwack remembers some people leaving the show when they saw the antiwar content of the quilts. Pamela Pinnock, the events and marketing manager at Busboys, says that she hasn't heard from any offended customers, but that the response to the show has been "mixed."

"People who don't agree with it or feel offended by it haven't been real vocal," Annemarie Zwack says. "But maybe they just haven't seen it yet."

"Where the Wheel Was Born," quilts by Annemarie Zwack, is at Busboys and Poets, 2021 14th St. NW, through March 5. Zwack will discuss her work at 5:30 p.m. on Feb. 27. Free. 202-387-7638.

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On Feb. 8 the Washington Project for the Arts\Corcoran will present the Alice Denney Award for Support of Contemporary Arts posthumously to Kevin MacDonald. MacDonald worked in oil, acrylic, watercolor and other media to create spare, realist scenes such as unoccupied restaurant booths and empty railroad stations. He served on the board of the organization and was involved in the Washington Area Lawyers for the Arts. He died of kidney cancer last June at age 59.

His wife, Robin Moore, will accept the award on his behalf. Moore met MacDonald in the early 1990s when she managed the WPA bookstore. The Feb. 8 event is a preview of the WPA\C's annual art auction, which will be held Feb. 10. Advisory board member Robert Lehrman will also receive an award for his service. Both WPA\C art auction events are sold out.

"Kevin was always proud that his pieces, a number of years, got the highest bids at the WPA auction," Moore says. "And we were always the last people dancing."

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